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This article is on the garage rock band The Sonics; see Seattle SuperSonics for the basketball team.

The Sonics
Background information
Origin	Tacoma, Washington, USA
Genre(s)	Rock, Garage rock, Frat rock
Years active	1960 to 1968
Label(s)	Etiquette Norton
Former members
*Gerry Roslie Andy Parypa Larry Parypa Rob Lind Bob Bennett

The Sonics were a member of the wave of Pacific Northwest American garage rock groups in the early and mid-1960s, pioneered by The Kingsmen and The Wailers . Among The Sonics' other contemporaries were The Drastics, The Regents, and Paul Revere & the Raiders. This movement is credited with founding Seattle's well-known music scene which survives to the present. Seattle native Jimi Hendrix is reported to have been highly influenced by the band.^{[citation needed]}

The Sonics' sound is noticeably rougher, cruder, and more brutal than that of their musical peers. Although they had a fairly standard instrumental line up for the time, The Sonics made their unique sound with wild arrangements, often disturbing lyrics, peppered with screaming and howling, and electric guitars played through amplifiers customized to achieve the harshest tones possible. Although their chief period of success was coincident with the release of Gibson's first fuzzbox, The Sonics' fuzzy sound was their own creation.

The songs they played were a mixture of garage rock standards ("Louie, Louie"), early rock and roll ("Jenny, Jenny") and original compositions such as "Strychnine", "Psycho", and "The Witch", all based upon simple chord sequences, played hard and fast.

The lyrics of The Sonics' original material dealt with early '60s teenage culture; cars, guitars, surfing, and girls (in songs like "The Hustler" and "Maintaining My Cool") alongside darker subject matter such as drinking strychnine for kicks, witches, psychopaths, and Satan (in the songs "Strychnine", "The Witch", "Psycho", and "He's Waiting", respectively).

Contents 1 Band members 2 Career 3 Quotations 4 Influence 5 Discography 5.1 LPs 5.2 45s 6 External links

The classic Sonics lineup, as recorded on Here Are The Sonics and Boom:

• Gerry Roslie — organ, piano, lead vocals
• Andy Parypa — bass guitar
• Larry Parypa — lead guitar, vocals
• Rob Lind — saxophone, vocals, harmonica
• Bob Bennett — drums

The history of The Sonics begins in 1960 in Tacoma, Washington. Larry Parypa played the guitar at that time with a drummer, Mitch Graber, another guitarist named Stuart Turner, plus a saxophonist and an acoustic bassist. In 1961, Parypa's older brother Andy replaced the bass player and Tony Mabin took over as their new saxophone player.

Stuart Turner left for the army and Rich Koch (who had previously played with The Wailers) joined as new lead guitarist and Marilyn Lodge joined as the band's first singer — they had been an instrumental combo until this point. A new drummer, Bill Dean then replaced Mitch.

Koch and Lodge left the band in 1963. The local star Ray Michelsen became the band's singer after having sung with a handful of other popular bands on the local scene. Larry began looking for a drummer to replace Bill Dean, whom he felt uncommitted to the band, and found Bob Bennett playing in a band called The Searchers with Gerry Roslie and Rob Lind. Ray Michelsen was looking to leave the band, so the Parypas hired Bennett, Roslie, and Lind and let go their previous saxophonist Mabin.

The well-known lineup was in place, but the Sonics' career as loved by their continuing cult following did not begin until 1964, when Gerry Roslie started singing lead vocals.

With Roslie as lead singer the band started playing gigs at local halls, at such venues as the Red Carpet, Olympia's Skateland, the Evergreen Ballroom, Pearl's, the Spanish Castle Ballroom and St. Mary's Parish Hall.

They were soon scouted by Buck Ormsby, bassist for The Wailers, and signed to The Wailers' own label Etiquette Records. The first single they cut was "The Witch" (with Little Richard's "Keep A-Knockin'" as the B-side), in November 1964. This was immensely popular with local kids, and went on to become the biggest selling local single in the history of the northwest, despite its radio airplay being restricted because of its bizarre and possibly misogynistic subject matter.

Early in 1965, The Sonics began recording an LP, Here Are The Sonics, which they did on a two-track tape recorder, with only one microphone to pick up the whole drum kit. It was here that they began to pioneer some of their infamously reckless recording techniques. The next album, Boom followed in February 1966. During the recording, The Sonics ripped the soundproofing off the walls at the country and western-oriented Wiley/Griffith studio, to "get a liver sound."

This heyday began to wane when the band transferred to Jerden Records in late 1966, and headed to Hollywood to record the poorly selling album Introducing The Sonics with Larry Levine in the Gold Star studios. The band later called this cleaner, slicker recording "the worst garbage."

The original band fell apart between 1966 and 1968, members leaving to go to university or to join other bands. During this time their sound changed, incorporating string and horn sections, but this proved unpopular and The Sonics passed into obscurity.

The original Sonics reunited briefly in 1972 for a Seattle Paramount live show, with the recording of this show was released as Live Fanz Only by Etiquette. Although the group has been asked to reunite on numerous other occasions since then, they have steadfastly refused to do so; reportedly due to Gerry Roslie's fear that the group could never possibly live up to anyone's expectations.

• "We were a wild, dirty, kickass band." - Bob Bennett
• "We were nasty. Everything you've heard people say about us is true." - Larry Parypa
• "If our records sound distorted, it's because they are. My brother (Larry, guitar) was always fooling around with the amps. They were always overdriven. Or he was disconnecting the speakers and poking a hole in them with an ice pick. That's how we ended up sounding like a train wreck." - Andy Parypa
• ''The Sonics recorded very, very cheaply on a two track you know, and they just used one microphone over the drums, and they got the most amazing drum sound I've ever heard. Still to this day, it's still my favorite drum sound. It sounds like he's hitting harder than anyone I've ever known." - Kurt Cobain, Nirvana (band)
• "Oh, dude, you gotta go get the Sonics! First off, you’re gonna see exactly where the Hives' 'Vini Vidi Vicious' was directly ripped off from. But you’re going to get it at the source. It’s basically the dudes that inspired the Stooges. From ’64 to about ’69, they put out two great records, 'Here Come the Sonics' and 'Sonics Boom'…it’s actually a toss-up between them…probably 'Sonics Boom' (is the better one), because it’s got “Shot Down” on it. But it’s white dudes obsessed with Little Richard, and they create something called punk rock." - Jesse Hughes (musician), Eagles of Death Metal

• "...The Sonics, The Sonics, The Sonics, The Sonics..." - James Murphy (electronic musician) listing influential bands on LCD Soundsystem's song "Losing My Edge".

The Sonics had an often overlooked but notable influence on subsequent rock music, not just in the Washington area. They are often-cited contenders for the title of "the first punk band"^{[citation needed]}, due to their wild and unconventional style. Gerry Roslie was the first white man to record a frightening rock 'n' roll scream in earnest, thus influencing Iggy Pop and the rest of protopunk, such as The New York Dolls. The band also have a clearly marked influence on golden age American punk bands such as The Dead Boys in their brash, immature, masculine style and posturing, and on the nineties grunge bands (who originated in the same area), especially Mudhoney, who adopted some of the darker themes from Sonics music, and a lot of their techniques on over-driving and distorting electric guitars. Their reach stretched beyond the US; influential Manchester post-punk group, The Fall, covered Strychnine during a session for the late John Peel's programme in 1993 and they repeatedly performed the song live around this time. As well as all these, there have been whole generations of garage rock revival bands (such as The Things) who make no bones of plagiarizing The Sonics and their ilk. The early 21st century saw the arrival of another garage rock band that lists the Sonics as a major influence, Eagles of Death Metal.

• Here Are The Sonics (Etiquette Records, 1965)
• Merry Christmas (Etiquette, 1965)
• Boom (Etiquette, 1966)
• Introducing The Sonics (Jerden, 1967)
• The Sonics - Busy Body!!! Live in Tacoma 1964(Norton 2007)

• "The Witch"/"Keep A-Knockin'" (Etiquette, 1964)
• "The Witch"/"Psycho" (Etiquette, 1965)
• "Psycho"/"Keep A-Knockin'" (Etiquette, 1965)
• "Boss Hoss"/"The Hustler" (Etiquette, 1965)
• "Don't Be Afraid Of The Dark"/"Shot Down" (Etiquette, 1965)
• The Sonics' "Don't Believe In Christmas"/The Wailers' "Christmas Spirit" (Etiquette, 1965)
• "Cinderella"/"Louie Louie" (Etiquette, 1965)
• "You Got Your Head On Backwards"/"Love Light" (Jerden, 1966)
• "Like No Other Man"/"Love Light" (Jerden, 1966)
• "The Witch"/"Like No Other Man" (Jerden, 1966)
• "Psycho"/"Maintaining My Cool" (Jerden, 1966)
• "Love-itis"/"You're In Love" (Jerden, 1967)
• "Lost Love"/"Any Way The Wind Blows" (Piccadilly, 1967)
• "Any Way The Wind Blows"/"Lost Love" (UNI, 1967)
• "Dirty Old Man"/"Bama Lama Bama Loo" (Burdette, 1975)
• "The Witch"/"Bama Lama Bama Loo" (Great Northwest, 1979)
• "The Witch"/"Keep A-Knockin'" (Norton, 1998)
• "Psycho"/"Have Love Will Travel" (Norton, 1998)
• "Cinderella"/"He's Waitin'" (Norton, 1998)
• "Boss Hoss"/"The Hustler" (Norton, 1998)
• "Strychnine"/"Shot Down" (Norton, 1998)
• The Sonics' "Louie Louie"/The Wailers' "Louie Louie" (Norton, 1998)
• "Don't Believe In Christmas"/"Santa Claus" (Norton, 1998)

• The Sonics at the AMG