From Wikipedia, the free encyclopedia

The Producers (1968)
Theatrical release poster.
Directed by	Mel Brooks
Produced by	Sidney Glazier
Written by	Mel Brooks
Starring	Zero Mostel Gene Wilder Kenneth Mars Lee Meredith Christopher Hewett
Music by	Brian Morris John Morris
Cinematography	Joseph Coffey
Editing by	Ralph Rosenblum
Distributed by	Embassy Pictures
Release date(s)	March 18, 1968
Running time	90 min.
Country	United States
Language	English
Budget	$941,000 USD (est.)
All Movie Guide profile
IMDb profile

This page is about the 1968 film. For the 2005 movie, see The Producers (2005 film). For other uses, see The Producers (disambiguation)

The Producers is a 1968 feature-length comedy film written and directed by Mel Brooks. In the film, two New York City con men (Max Bialystock and Leo Bloom) attempt to cheat theater 'angels' (investors) out of their investment money by deliberately producing a "flop," or unsuccessful show.

This was the first film directed by Mel Brooks, who won an Academy Award for his screenplay.

Contents 1 Plot 2 Cast 3 Influences 4 Release history 5 Reception 6 Awards and Recognition 7 Cultural legacy 8 Quotations 9 References 10 External links

Max Bialystock is a failed, aging Broadway producer who ekes out a living romancing rich old women in exchange for money for his "next play." Nebbish accountant Leo Bloom arrives at Bialystock's office to do his books and discovers a two thousand dollar error in the accounts of Bialystock's last play. Bialystock cons Bloom into hiding the fraud, and while shuffling numbers, Bloom has a revelation which Bialystock immediately puts into action: a scheme to massively oversell shares in a Broadway production, then purposely make a horrific flop, so that no one will ever audit its books, thus avoiding a payout and leaving the duo free to flee to Rio de Janeiro with the profits. Leo is hesitant to commit to the criminal venture, but is eventually convinced by Max that he deserves some happiness, and his current drab existence is no better than being in prison.

After an extensive search the now-partners find an unproduced play worthy of their efforts: Springtime for Hitler, a Gay Romp with Adolf and Eva in Berchtesgaden, a work which Bialystock gleefully describes as "a love letter to Hitler," written in total sincerity by deranged ex-Nazi Franz Liebkind. They convince Liebkind to sign over the stage rights, telling him they want to show the world "the true Hitler, the Hitler with a song in his heart". Bialystock then collects money from dozens of little old ladies—ultimately selling 25,000 percent of the play—and hires the monumentally untalented (and comically gay) director Roger De Bris to stage the production. The part of Hitler goes to a charismatic hippie named Lorenzo St. Dubois (aka LSD), who wanders into the wrong theater by accident during the casting call.

The result of all of this is a cheerfully upbeat, utterly tasteless musical comedy detailing the life of the dictator, which opens with a lavish production number celebrating Nazi Germany overrunning Europe. Unfortunately for the protagonists, their attempt to make an unwatchable play backfires as, after initial dumbfounded disbelief, the audience finds LSD's beatnik-like portrayal of Hitler to be hilarious, and the play is a universally praised hit. (The film doesn't clarify if De Bris & LSD's staging of the play as a farce is intentional, or a serendipity of tastelessness, enthusiasm, and lack of talent.)

After an enraged Liebkind attempts to shoot the producers in their office, the three of them band together and, in desperation, blow up the theater to end the production. They get caught in the explosion and are arrested. Found "incredibly guilty" in their criminal trial, they are sent to prison, where they proceed to create a new play starring their fellow convicts entitled "Prisoners of Love," running the same scam as before.

• Zero Mostel as Max Bialystock
• Gene Wilder as Leo Bloom
• Kenneth Mars as Franz Liebkind
• Lee Meredith as Ulla
• Estelle Winwood as Hold Me-Touch Me
• Christopher Hewett as Roger De Bris
• Andréas Voutsinas as Carmen Ghia
• Dick Shawn as Lorenzo St. DuBois (L.S.D.)
• Renée Taylor as Eva Braun

• The foreman of the jury is played by Bill Macy, who would later star in the 1970s sitcom, Maude, and numerous Hollywood films. The film also features Barney Martin, who would later achieve fame as Jerry Seinfeld's father Morty on Seinfeld.
• Writer-director Mel Brooks is heard briefly in the film, singing "Don't be stupid, be a smarty/Come and join the Nazi Party" in the song Springtime For Hitler. His version of line is also dubbed into each performance of the musical and in the movie version of the musical.^{[citation needed]}
• In an interview on the movie's DVD, Brooks says that Dustin Hoffman was originally cast as Franz Liebkind, but the night before shooting he bowed out to star in The Graduate, which co-starred Brooks' wife, Anne Bancroft.

• Max Bialystock is named after the Polish city of Białystok. A 'bialystoker,' is a roll similar to a bagel.
• Leo Bloom is named for the subject of the novel Ulysses, Leopold Bloom. Leo meets Max on June 16, the date that all of the action in Ulysses takes place. Bialystock at one point also compares Leo to Prince Myshkin, the titular protagonist in Fyodor Dostoevsky's novel The Idiot.
• One of the rejected manuscripts in the search for "the worst play ever" features the opening sentence to Franz Kafka's The Metamorphosis, where a character named Gregor Samsa wakes up to find himself transformed into a "giant cockroach". Bialystock quickly dismisses the story idea as "too good".
• Carmen Ghia is named after the Volkswagen Karmann Ghia, a popular car in production in 1968.
• A showman overselling shares in a deliberately produced Broadway flop so he could pocket the excess inventment was the basis for the RKO Radio feature film "New Faces Of 1937". The film starred comedian Milton Berle, dancer Ann Miller and singer Harriet Hilliard (later Harriet Nelson of "Ozzie and Harriet" fame). The 1937 film itself was based on an earlier play entitled "Shoestring".

According to Brooks, after the film was completed, Embassy executives declined to release it due to "bad taste" until Peter Sellers saw the film privately and placed an advertisement in Variety in support of the film's wider release^[1]. It was still only released to only a small number of theaters^[2]. The Producers was rated PG by the MPAA for brief mild language.

In 2002 The Producers was re-issued to three theaters by Rialto Pictures and earned $111,866^{[3] [4]}at the box office.

In 2001 Brooks adapted the film into a Broadway musical of the same name (The Producers). In 2005, a film, based in turn on that musical, was released (The Producers).

The Producers is currently available on DVD, released by MGM. As of 2007, the film continues to be distributed to art-film and repertory cinemas by Rialto.

The film received harsh reviews from New York critics Renata Adler ("shoddy and gross and cruel" in the New York Times), Stanley Kauffmann ("the film bloats into sogginess." -- New Republic), Pauline Kael ("amateurishly crude" in the New Yorker) and Andrew Sarris, partly due to its directorial style and broad ethnic humor.^[5] Negative reviewers noted the bad taste and insensitivity of devising a broad comedy about two Jewish men conspiring to cheat theatrical investors by devising a designed-to-fail singing, dancing, tasteless Broadway musical show about Hitler (a mere 23 years after the end of World War II).^[6] Time Magazine's reviewers wrote, "...hilariously funny ... Unfortunately, the film is burdened with the kind of plot that demands resolution ... ends in a whimper of sentimentality ... The movie is disjointed and inconsistent ..."^[7] and "... a wildly funny joy ride ...", ^[8] "...despite its bad moments, is some of the funniest American cinema comedy in years."^[9] The film industry trade paper Variety magazine wrote, "The film is unmatched in the scenes featuring Mostel and Wilder alone together, and several episodes with other actors are truly rare."^[10] Over the years, the film has gained much more positive praises, garnering a 90% fresh rating from Rotten Tomatoes. Roger Ebert later claimed that "this is one of the funniest movies ever made."^[11]

Reviews in the U.K. were positive to very positive.^[6]

Despite the complaints about the content, many of the people involved in the project, such as Brooks, Mostel, Wilder etc were all of Jewish origin. Both Eva Braun and Hitler are played by Jewish actors, and Goebbels is briefly represented by a black actor.

In 1968, The Producers won an Academy Award for Best Writing, Story and Screenplay—Written Directly for the Screen and was nominated for Best Actor in a Supporting Role (Gene Wilder).

In 1969, The Producers won a Writers Guild of America Best Original Screenplay award.

In 1996, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.

In 2004, The Producers was placed at #11 of the American Film Institute list of The 100 Funniest Films Of All Time.

• Peter Sellers was a fan of the film and appeared on Michael Parkinson's BBC1 chat show Parkinson in a Nazi helmet reciting the entire "Hitler was a better painter than Churchill" speech. (Parkinson BBC1 09/11/74 & BBC Audiobooks (5 Feb 1996))
• The title of the U2 album Achtung Baby comes from a line in the movie.^{[citation needed]}
• At its theatrical release in Sweden, the film was given the Swedish title Producenterna (The Producers), but it was not a success then. After it was re-released under the title Det våras för Hitler (Springtime for Hitler), it scored with the Swedish audience. Because of this, all of Mel Brooks' films were given a title with Det våras för... (Springtime For...) in Sweden, up until Life Stinks (Det våras för slummen, Springtime For The Slums). For example, Blazing Saddles was retitled Det våras för sheriffen (Springtime For The Sheriff) and Spaceballs was retitled Det våras för rymden (Springtime For Space). After this, Mel Brooks himself has complained at the Swedish habit of always calling his films something with 'Springtime For...' and so, his last two films have been called Robin Hood: Karlar i trikåer (Robin Hood: Men in Tights) and Dracula: Död men lycklig (Dracula: Dead and Loving It), although the latter is called Det våras för Dracula on the Swedish DVD cover.^{[citation needed]}

From Mel Brooks' U.S. News and World Report interview:

"I was never crazy about Hitler...If you stand on a soapbox and trade rhetoric with a dictator you never win...That's what they do so well: they seduce people. But if you ridicule them, bring them down with laughter, they can't win. You show how crazy they are." ^[12]

• The Producers at the Internet Movie Database
• The Producers at the TCM Movie Database
• The Producers review by Roger Ebert
• Roger de Bris Fanlisting

v • d • e Mel Brooks
Feature films	The Producers (1968) · The Twelve Chairs (1970) · Blazing Saddles (1974) · Young Frankenstein (1974) · Silent Movie (1976) · High Anxiety (1977) · History of the World, Part I (1981) · Spaceballs (1987) · Life Stinks (1991) · Robin Hood: Men in Tights (1993) · Dracula: Dead and Loving It (1995)
Productions	The Elephant Man (1980) · To Be or Not to Be (1983) · The Producers (2005)
Television programs	When Things Were Rotten (1975) · Spaceballs: The Animated Series (2007-present)
Broadway productions	The Producers (2001) · Young Frankenstein (2007)
Collaborators	Rudy De Luca · Dom DeLuise · Marty Feldman · Madeline Kahn · Harvey Korman · Cloris Leachman · Kenneth Mars · Gene Wilder