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The Prodigy
Background information
Origin	Braintree, Essex, England
Genre(s)	Electronica Industrial Rock Alternative Rock Rave Techno Big Beat Hardcore Breakbeat Punk Rock
Years active	1990–present
Label(s)	Ragged Flag Cooking Vinyl XL Beggars Banquet Mute Maverick Warner Bros. Elektra
Website	TheProdigy.com
Members
Liam Howlett Keith Flint Maxim
Former members
Leeroy Thornhill Sharky

The Prodigy are an English band. Their music consists of various styles ranging from rave, hardcore and industrial in the early 1990s to alternative rock and bigbeat with punk vocal elements in later times. The current band members include Liam Howlett (composer/keyboards), Keith Flint (dancer/vocalist) and Maxim (MC/vocalist). Leeroy Thornhill (dancer/very occasional live keyboards) was a member of the band from 1990 to 2000, as well was a female dancer/vocalist called Sharky who left the band during their early period. The Prodigy first emerged on the underground rave scene in the early 1990s, and have since then achieved immense popularity and worldwide renown. Some of their most popular songs include "Charly", "Out of Space", "Smack My Bitch Up", "Voodoo People", "No Good (Start the Dance)", "Breathe" and "Firestarter".

The name changed from "The Prodigy" to "Prodigy" between Music for the Jilted Generation and The Fat of the Land in 1997 and back again with the release of Always Outnumbered, Never Outgunned in 2004. This was only done to fit the changing logos, according to Howlett.^[1][2]

Contents 1 History 1.1 Beginnings 1.2 "Smack My Bitch Up" controversy (USA) 1.3 Later works 1.4 Development 1.5 2005–2007 recording sessions 1.6 The Castbreeder 2 Members 2.1 Current members 2.2 Ex-members 2.3 Live members 2.4 Former live members 3 Discography 3.1 Studio albums 3.2 Compilations 3.3 Singles 4 Notes and references 5 External links

The Prodigy began with an initial 10-track demo by Liam Howlett, put together on a Roland W-30 sequencer keyboard in Essex, England. XL Recordings picked up the demo and an initial 12" pressing of What Evil Lurks was released in February 1991. There are some few thousand bootlegs of this release; it should have "the exchange" carved in the vinyl around the center of the single. The Prodigy's name was a moniker Liam had chosen as a tribute to his first analogue synthesiser, the Moog Prodigy.

The Prodigy's first public performance (with Howlett augmented by dancers Keith Flint and Leeroy Thornhill) was at the Four Aces in Dalston, London. Charly released six months later, became a huge hit in the rave scene at the time, reaching #3 in the UK Top 40, catapulting the band into the wider public consciousness. The Kaos Theory compilation series featured "G Force (Energy Flow)" from their third single "Everybody In The Place (EP":

In the wake of 'Charly's success the music charts were filled with unsophisticated "hardcore" rave tracks to which speed and ecstasy-filled clubbers had danced all night to but which did not appeal to critics in "the music press" such as Urban Hype's Trip to Trumpton, and Smart E's (as in Ecstasy) Sesame's Treet, instigating death-by-publicity to the underground "hardcore rave" scene according to many critics, ravers and followers of the scene. As a result Charly (a contemporary reference to cocaine), with its memorable sample of the "Charley Says" children's Public information films and The Prodigy were briefly identified by critics as "kiddie rave" or "Toytown Techno".

Charly was soon followed by the band's first full length album, Experience, a landmark release in the history of British rave music. After Experience (album track "Death of the Prodigy Dancers" featured Ragga MC band member Maxim Reality) and the run of singles that accompanied it, the Prodigy moved to distance themselves from the "kiddie rave" reputation that now dogged them. The rave scene was beginning to move on from its hardcore phase, with the Criminal Justice Act's "anti-rave" legislation on the horizon. In 1993, Howlett released an anonymous white label, bearing only the title Earthbound I. Its hypnotic, hard-edged sound won wide underground approval. Many former critics of the band were astounded when Howlett finally acknowledged responsibility for the record^{[citation needed]}. It was officially released as "One Love" later that year, and went on to chart at #8 in the UK.

In 1994, the Prodigy's second album, Music for the Jilted Generation, was released entering the UK album charts at #1. The album displayed a wider spectrum of musical style with heavy techno and breakbeat-based tracks complemented by the concept sequence The Narcotic Suite, and rock-oriented inclinations ("Their Law", featuring Pop Will Eat Itself). The album was nominated for a Mercury Music Prize although Howlett had reaffirmed his dedication to making The Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top Of The Pops or other TV shows in the UK. To this day their only studio appearance on British television came when they appeared on the BBC2 series 'Dance Energy' in 1991 performing 'Everybody In The Place'. In the ensuing years their videos received a strong level of support by MTV Europe which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.

Following the international success of Music for the Jilted Generation the band augmented their line-up with guitarist Jim Davies (who, later, joined the group Pitchshifter) in 1995 for tracks such as Their Law, Break And Enter 95, and various live-only interludes and versions. The 1996 release of Firestarter, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one in the UK. In this year the Prodigy also headlined the prestigious Lollapalooza festival. Firestarter's success was matched by the second single Breathe which gave the band their second number one single in the UK later that same year.

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997 just as the band headlined the Glastonbury festival on its opening night. Like its predecessors, the album represented a milestone in the development of both the band and the wider mainstream dance scene. Featuring simplified melodies, sparser sampling, and more sneering, punk-like vocals (supplied by a shockingly madeover Flint), the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the hard dance genre, entering the British and American charts at number one.

Prodigy were getting a lot of airplay on rock stations with their track, "Smack My Bitch Up," and were getting even more negative backlash for the song. Time-Warner, Prodigy's parent company, was feeling the heat from the National Organization for Women (NOW) over the track. Although the song's lyrics are few but repetitive (in their entirety, the lyrics are "Change my pitch up, smack my bitch up"), NOW stated that the lyrics are a "...dangerous and offensive message advocating violence against women." Howlett responded to the attacks by claiming that the song's lyrics are being misinterpreted: (the song means) "...doing anything intensely, like being on stage – going for extreme manic energy." The band did not write the lyric, but rather sampled it from the classic Ultramagnetic MCs' track "Give The Drummer Some" which also appears on the Dirtchamber Sessions (they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single).^[3] Several radio stations defended the song, yet only played the track at night. The music video (directed by Jonas Åkerlund) featured a first-person point of view of someone going clubbing, indulging in large amounts of drugs and alcohol, getting into fist fights with men, abusing women and picking up a lap dancer. At the end of the video the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m. in order for mature viewers to see the "groundbreaking" images. The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.

During a performance at the Reading Festival (August 29th, 1998) The Prodigy and the Beastie Boys had an onstage disagreement over the track - with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.^[4] Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn’t want us to play this fucking tune. But the way things go, I do what the fuck I want". The incident has since become part of festival folklore, and was voted one of the greatest ever live moments by the now defunct Select Magazine.

Wal-mart and Kmart later announced they would pull The Fat of the Land off their shelves. Even though the LP had resided on their store shelves for over 20 weeks, the two stores found the marketing campaign for the new single release offensive.

In mid-2002, the complete, unedited video was aired on MTV2 as part of a special countdown showing the most controversial videos ever to air on MTV. This countdown was only shown late at night because of the graphic imagery of "Smack My Bitch Up" and several other videos on the countdown. This video in particular was deemed the "Most Controversial Video" by MTV and showed at the #1 spot on the countdown.

1999 saw the release of The Prodigy's Dirtchamber Sessions Volume 1, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1.

In 2002, after a break from touring and recording, the single "Baby's Got a Temper" was released to critical disappointment. The song was written by Keith Flint's sideband, Flint, and also featured Jim Davies. Howlett produced it. Once again, the band courted controversy by including references to the so-called "date rape" drug Rohypnol in the song lyrics, although it is unclear whether or not the band "glorifies" or presents the drug in a negative light. In the same year, however, Q magazine named The Prodigy as one of the "50 Bands To See Before You Die".

The Prodigy's fourth studio album, Always Outnumbered, Never Outgunned was released on 23 August 2004 (14 September 2004 in the USA.) A precursory and experimental single, "Memphis Bells", was released in very limited numbers, followed by the traditional release of the single "Girls". The U.S. version of the studio album contained a bonus track; a remix of "Girls" entitled, "More Girls".

5,000 digital copies of "Memphis Bells" were sold over the Internet. Each copy was a combination of customer-chosen instrumental, rhythmic, and melodic options, of which 39,600 (of 660,000 total) choices were available. Five mixes were sold in three file formats, WAV, two audio mixes in MP3, and a 5.1 DTS surround sound mix and all were free of Digital rights management. The experiment was a success, with the 5,000 copies being sold in just over 36 hours in spite of server problems from the demand.

In 2005, they released a compilation, Their Law: The Singles 1990-2005, which spawned a single containing new remixes of the songs "Out of Space" (the "Audio Bullys Remix") and "Voodoo People" (the "Pendulum Remix"). The latter was also followed by a music video which featured on the DVD release of the compilation. Sharky, the group's only female member, is shown running and winning the race depicted in the video.

Their work has been featured in several video games, TV shows and movies. For instance, the video game Need For Speed: Most Wanted featured the song "You'll Be Under My Wheels", which was also used in an advert for the BMW 1 Series as well as the closing credits for the film The Fast and the Furious: Tokyo Drift. As from the album The Fat of the Land, songs like "Firestarter" appeared in its instrumental version in the videogame Wipeout 2097, while "Mindfields" appeared in the film The Matrix, and the track "Funky Shit" in the closing scene and end credits of Event Horizon. The title "Voodoo People" and "One Love" appears in the soundtrack of the movie Hackers and also in the French movies Wasabi and Dobermann. In 2006, "Spitfire" from Always Outnumbered, Never Outgunned appeared in the opening scenes of an episode of Las Vegas on the NBC network in the USA, as well as a featured track in the popular Xbox 360 racing simulator, Forza 2. It also appeared in the movie House of Wax. The song "Breathe" was also featured in a FLIP skateboard companies video entitled "Sorry" and was used by Rune Glifberg. Interestingly, the film Charlie's Angels made extensive use in its soundtrack of the controversial track "Smack My Bitch Up" in its first main fight sequence; this song was also used on the successful film Scary Movie 2. The sequel, Charlie's Angels: Full Throttle, continues this trend with its use of "Breathe" and "Firestarter" in two major action sequences. The 2007 film Smokin' Aces used "First Warning" as the soundtrack to its violent climax.

The Prodigy are a difficult band to classify, because they have developed significantly with time. Each of their albums represents a distinct stage in the band's musical development. From their initial inception as a psychedelic rave band with scene staples such as "Your Love" and "Out of Space", to the much more mainstream dance of "No Good", to the rock-oriented "Their Law" to punk tracks such as the L7 cover "Fuel My Fire" in more recent years, the Prodigy continue to innovate and surprise. The Prodigy have had the ability over the years to appeal to widely varying cross-sections of music fans; from the purist dance festival Creamfields, to the more general appeal of T In The Park, to the heavy metal oriented Download Festival.

Because of their broad appeal to fans across several genres, The Prodigy have been described as "A rock band that plays dance music,"

During the Always Outnumbered, Never Outgunned tour the band debuted two new songs, "Warning" and "Dead Ken Beats". "Warning" features Keith Flint on vocals and consists of heavy basslines and guitar riffs, whilst Dead Ken Beat contains a sample of the Dead Kennedys song "California Uber Alles" that features prominently throughout, and has Maxim doing vocal duties.

Both these tracks have undergone significant development during the recent tour, and on at least one occasion Liam Howlett has confirmed that Dead Ken Beats would feature on the next Prodigy record,

"Dead ken beats will definitely be on that record, we were talking about it tonight. Dead ken is a track we really like, we like the groove and the beat and it’s really fucking tough. its still developing. It’s a different groove; it’s really kind of fresh sounding. It’s a track I'm really going to have to go and find the right vocal for, which is one of the things I am doing right now."^{[citation needed]}

A track that mixed "Spitfire (Nitebreed Remix)" with "Wake Up Call" has been played frequently live by The Prodigy, and was released in January 2006 as "Wake The Fuck Up" on Liam's Back To Mine compilation.

Another new track was played during the 'Their Law' tour, which was printed on a setlist as being called "Heatwave". It is thought that it has been renamed "Heatwave Hurricane", due to Liam listing it as this among his current favourite songs for a recent interview. It has been described as "something like a cross between Hotride (live version) & the Firestarter remix". A short clip can be seen on YouTube, revealing that the song includes a sample of "I'm Five Years Ahead Of My Time" by The Third Bardo, a song which is also featured on Liam's Back To Mine compilation. The new album was set to be released in summer 2007, however in a recent interview Liam Howlett quoted "The album will be first quarter of next year, with 1 single before. It is going well and we are loving it. There are a lot of ideas, maybe 25 ,we are now starting to finish the best tunes and getting vocals written". It will be released on their own Ragged Flag record label in association with Cooking Vinyl Records.

Recently, The Prodigy released a new track "First Warning", which is available on Smokin' Aces soundtrack.

In September there will be a new track tentatively titled "Shadow" on the Xbox 360 videogame Project Gotham Racing 4. This is their first recording under the new label. This track has also appeared in a slightly different form as "Shadow of the Devil" played over the end credits to the British horror movie Reverb. A third possible variation of the track titled "The Shadow" is included on the soundtrack to the Japanese anime Vexille released on the 8th of August.

In 1998 an album, rumored to have originated in Russia, being passed off as a Prodigy release began circulating, entitled The Castbreeder. However, it was not an official Prodigy album, nor did it have anything to do with The Prodigy or their record label XL Recordings. Many believed it to be a real release due to the high quality and craftmanship, but it is actually nothing more than a bootlegged compilation of various live and studio recorded tracks from the fellow big beat artists Junkie XL and Lunatic Calm. In fact, the music on the album is similar enough in style to The Prodigy's to have fooled quite a few people, however there were a few dead giveaways that the album was fake. The "thanks to" section was taken directly from the cover of Music for the Jilted Generation, and the wrong font for the XL Recordings clearly proved it to be a fake.^{[citations needed]}

• Liam Howlett – keyboards, programming (1990 - )
• Keith Flint – Dancer, Vocalist (1990 - )
• Maxim – MC, Vocalist (1990 - )

• Leeroy Thornhill – Dancer, very occasional live keyboards (1990 - 2000)
• Sharky – Vocalist, dancer (1990)

• 'The Rev' - Live guitarist from Towers of London (May 2007 - present)
• 'Brian Fairbairn - Live drummer (May 2007 - present)

• Snell - Drummer, was playing on drums on 2 of The Prodigy concerts in 2007 (July 2007)
• Kieron Pepper – Drummer and occasional guitarist, he is playing guitar with Victory Pill (December 1997 - May 2007)
• Rob Holliday – Live Guitarist, now he is bass player for Marilyn Manson (2003 - May 2007)
• Gizz Butt – Live Guitarist (1996 - 1997)
• Jim Davies – Live and studio guitarist, he has his own band Pitchshifter & Victory Pill (1995 - 1996, 2002 - 2004)
• Alli Maclnnes – Live Guitarist (four gigs in summer 2001 and 2002 on the Big Day Out gigs)

Main article: The Prodigy discography

1992: Experience 1994: Music for the Jilted Generation 1997: The Fat of the Land 1999: The Dirtchamber Sessions Volume One 2004: Always Outnumbered, Never Outgunned 2005: Their Law: The Singles 1990-2005

1991: "What Evil Lurks" 1991: "Charly" 1991: "Everybody in the Place" 1992: "Fire/Jericho" 1992: "Out of Space" 1993: "Wind It Up (Rewound)" 1993: "One Love" 1994: "No Good (Start the Dance)" 1994: "Voodoo People" 1995: "Poison" 1996: "Firestarter" 1996: "Breathe" 1997: "Smack My Bitch Up" 2002: "Baby's Got a Temper" 2004: "Girls/Memphis Bells" 2004: "Girls" 2004: "Hotride" 2005: "Spitfire" 2005: "Voodoo People (Pendulum Remix)/Out of Space (Audio Bullys Remix)"

• The Prodigy - Official website.
• The Prodigy Live - Detailed information about Prodigy live shows.
• The Prodigy at Discogs - Detailed discography website

v • d • e The Prodigy
Liam Howlett · Keith Flint · Maxim Sharky · Leeroy Thornhill
Albums	Experience · Music for the Jilted Generation · The Fat of the Land · The Dirtchamber Sessions Volume One · Always Outnumbered, Never Outgunned · Their Law: The Singles 1990-2005
Singles	"What Evil Lurks" · "Charly" · "Everybody in the Place" · "Fire/Jericho" · "Out of Space" · "Wind It Up (Rewound)" · "One Love" · "No Good (Start the Dance)" · "Voodoo People" · "Poison" · "Firestarter" · "Breathe" · "Smack My Bitch Up" · "Baby's Got a Temper" · "Girls/Memphis Bells" · "Girls" · "Hotride" · "Spitfire" · "Voodoo People (Pendulum Remix)/Out of Space (Audio Bullys Remix)"
Related articles	Discography