Simulacra and Simulation

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Simulacra and Simulation (Simulacres et Simulation in French), published in 1981, is a philosophical treatise by Jean Baudrillard.

Simulacra and Simulation is known for discussions of images and signs, and how they relate to our contemporary society, wherein we have replaced reality and meaning with symbols and signs; what we know as reality actually is a simulation of reality. The simulacra to which Baudrillard refers are the signs of culture and communications media that create the reality we perceive: a world saturated with imagery, infused with communications media, sound, and commercial advertising. These simulacra of the real surpass the real world and thus become hyperreal, a world that is more-real-than-real; presupposing and preceding the real. In this world apathy and melancholy permeate human perception and begin eroding Nietzsche's feeling of ressentiment.

A specific analogy that Baudrillard uses is a fable derived from the work of Jorge Luis Borges. In it, a great Empire created a map that was so detailed it was as large as the Empire itself. The actual map grew and decayed as the Empire itself conquered or lost territory. When the Empire crumbled, all that was left was the map. In Baudrillard's rendition, it is the map that we are living in, the simulation of reality, and it is reality that is crumbling away from disuse.

The Matrix science fiction makes many connections to Simulacra and Simulation. Protagonist of The Matrix, Neo, is seen with a copy of Simulacra and Simulation at the beginning of the story. He uses the hollowed book as a hiding place for cash and his important computer files, however, Neo's hollowed copy of the book has the chapter "On Nihilism" in the middle, not at the end of the book, where it is in reality. The Morpheus character refers to the real world outside the Matrix as the "desert of the real", a reference to Baudrillard's work. In the original script, Morpheus specifically referred to Baudrillard's book, however, in an interview, Baudrillard said "The Matrix" has nothing to do with his work. [1]

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