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Shakespearean tragedy
From Wikipedia, the free encyclopedia
Shakespeare wrote tragedies from the beginning of his career: one of his earliest plays was the Roman tragedy Titus Andronicus, and he followed it a few years later with Romeo and Juliet. However, his most admired tragedies were written in a seven-year period between 1601 and 1608: Hamlet, Othello, King Lear, Macbeth (his four major tragedies),and Antony & Cleopatra, along with the lesser-known Timon of Athens and Troilus and Cressida.
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Many have linked these plays to Aristotle's precept about tragedy: that the protagonist must be an admirable but flawed character, with the audience able to understand and sympathize with the character. Certainly, each of Shakespeare's tragic protagonists is capable of both good and evil. The playwright insists always on the operation of the doctrine of free will; always, the (anti)hero is able to back out, to redeem himself. But, the author dictates, they must move unheedingly to their doom.
Romeo and Juliet, Antony & Cleopatra, and Othello could all be considered love tragedies. [1] These tragedies differ from the other tragedies in that the lovers are not doomed through any fault of their own, but because of some barrier in the world around them. In these tragedies, death is almost a kind of consummation of their love -- as if love can not properly succeed in a tragic world.
- Romeo and Juliet
- Macbeth
- King Lear
- Hamlet
- Othello
- Titus Andronicus
- The Tragedy of Julius Caesar
- Antony and Cleopatra
- Coriolanus
- The History of Troilus and Cressida
- The Life of Timon of Athens
- Cymbeline was listed in the First Folio as a tragedy although most modern readers regard it as a romance.
- ^ Charney, Maurice: Shakespeare on Love & Lust, page 106. Columbia University Press, 2000
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