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Romanesque sculpture
From Wikipedia, the free encyclopedia
Romanesque sculpture was most often made in stone, though sometimes in bronze and timber. It was always tied with architecture. It filled places on portals, tympanums and niches that were made specifically for it. Topics for romanesque stone sculpture were biblical, mainly drawing from the Old Testament and Hagiography. It was often so called Biblia pauperum.
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To meet Wikipedia's quality standards, this article or section may require cleanup because it is in a list format that may be better presented using prose. You can help by converting this section to prose, if appropriate. Editing help is available. (September 2007) |
- Superiority of reliefs
- Tied to architecture
- Old Testament and Hagiography topics
- Application of flower, leaf and animal motives
- Fulfilling of portals, tympanums and niches
- Application of the frame law - composing of sculpture so that they were contained in a square
- Unnatural matches of forms, for amount of place on sculpture fit
 Gniezno Doors - example of Hagiography |
 carved foliate capital, deeply undercut, with distant origins in the Corinthian order. Picardy, ca 1150 (Musée de Picardie, Amiens) |
