Robert Cummings

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Robert Cummings

in the trailer for Saboteur (1942)
Birth name Charles Clarence Robert Orville Cummings
Born June 10, 1908(1908-06-10)
Joplin, Missouri, U.S.
Died December 2, 1990 (aged 82)
Woodland Hills, California, U.S.

Robert Cummings (June 10, 1908December 2, 1990), also known as Bob Cummings, was an American motion picture and television actor noted for his fresh faced youthful look which lasted long after he was young.

Cummings chiefly performed in comic roles but was effective in his few dramas, especially two Alfred Hitchcock films, Saboteur and Dial M for Murder.

Cummings was born in Joplin, Missouri. While attending Joplin High School, he was taught to fly by his godfather, Orville Wright. He studied at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania and the American Academy of Dramatic Arts in New York City. He had a brief career on Broadway under the stage name Blade Stanhope Conway, a supposed Englishman, before moving to Hollywood, California, first acting under the name and persona of Bruce Hutchens, a wealthy Texan.

In the 1930s Cummings worked (under his own name) as a contract player and appeared in a number of minor roles. He achieved stardom in 1939 in Three Smart Girls Grow Up opposite Deanna Durbin. His many film comedies also include: The Devil and Miss Jones (1941) with Jean Arthur, and The Bride Wore Boots (1946) with Barbara Stanwyck. Cummings gave memorable performances in three notable dramas: Kings Row (1942) with friend Ronald Reagan, Saboteur (1942) with Priscilla Lane and Norman Lloyd, and Dial M for Murder (1954), with Grace Kelly and Ray Milland. Cummings also starred in You Came Along (1945) that featured a screenplay by Ayn Rand. The Army Air Forces pilot Cummings played had the same name as the character on his later television show.

Cummings was chosen by producer John Wayne as his co-star for the part of airline pilot Captain Sullivan in The High and the Mighty, in part due to Cummings's experience as a pilot. But director William A. Wellman overruled Wayne and hired Robert Stack for the part.[1]

photographed in 1979
photographed in 1979

Cummings also made his mark in the CBS Radio network's long-running dramatic serial entitled Those We Love. In the program, which ran from 1938 to 1945, Cummings played the role of David Adair, opposite Richard Cromwell, Francis X. Bushman (famed silent-era film actor), and Nan Grey.

Cummings served duty at a base in Oxnard, California during World War II, and later was a pilot in the United States Air Force Reserve.

Cummings began a long career on television in 1952 with the comedy My Hero. He was in the first performance of Twelve Angry Men to be televised, a live production that aired in 1955, and received an Emmy award for his role as "Juror Number Eight." From 1955 through 1959, Cummings starred in the celebrated sitcom, The Bob Cummings Show (shown in reruns as Love That Bob), later followed by The New Bob Cummings Show, 19611962. He also spent a season starring in My Living Doll (1964), another sitcom. His last significant credit was the 1973 TV movie Partners in Crime, also starring Lee Grant.

Cummings married five times and sired seven children. He was a staunch advocate of natural foods and a healthy diet and authored the book Stay Young and Vital (1960) on health foods and exercise. In reference to refined products such as white flour, white rice, and sugar, he was once quoted as saying, "Never eat anything white."

Another famous tale of Reagan and Cummings' friendship involves the time when Ronald Reagan decided to play a practical joke on Cummings by hiding behind a very small lamp. Cummings, however, could see beyond the lamp, and punched Reagan in the mouth, fracturing his jaw. The incident was later used as the basis for a song by The Housemartins entitled "Lamp Disguise".

Cummings died of kidney failure[citation needed] in 1990 at the age of 82 and was interred in the Great Mausoleum at Forest Lawn Cemetery in Glendale, California.

  1. ^ McGivern, Carolyn, The Lost Films of John Wayne, Nashville, Cumberland House, 2006, p. 82

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