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Quem Quaeritis? (literally, "Whom do you seek?") refers to four lines of the medieval Easter liturgy that later formed the kernel of the large body of liturgical medieval drama. It was introduced into the liturgy in the tenth century:

Interrogatio. Quem quaeritis in sepulchro, o Christicolae?

Responsio. Jesum Nazarenum crucifixum, o caelicolae.

Angeli. Non est hic; surrexit, sicut praedixerat. Ite, nuntiate quia surrexit de sepulchro

Translation:

Question [by the Angels]: Whom do ye seek in the sepulcher, O followers of Christ?

Answer [by the Marys]: Jesus of Nazareth, the Crucified, O heavenly ones.

The Angels: He is not here; he is risen, just as he foretold. Go, announce that he is risen from the sepulchre.

—John Glassner, editor, Medieval and Tudor Drama.

The lines were then followed by a sung chorus of Hallelujahs.

The Quem Quaeritis? was an exchange of one question, one answer, and one command between the Angels at Christ's tomb and the three Marys, the Virgin Mary, Mary Magdalene, and Mary, the sister of Lazarus. The specific question "Quem quaeritis?" "Whom do you seek?" is not in fact in Luke 24, where it is implied but omitted: "Why seek ye the living among the dead? He is not here, but is risen". The actual question is only directly expressed in the non-canonical Gospel of Peter:

"And they went and found the tomb opened, and coming near they looked in there; and they see there a certain young man sitting in the midst of the tomb, beautiful and clothed in a robe exceeding bright: who said to them, Wherefore are ye come? Whom seek ye? Him that was crucified? He is risen and gone. But if ye believe not, look in and see the place where he lay, that he is not [here]; for he is risen and gone thither, whence he was sent. Then the women feared and fled."

In the canonical gospels it is Mary Magdalene, Joanna, Mary (the mother of James), and "other women" who were present at this event.

Although short, this excerpt of text would later snowball into a huge body of religious medieval plays, and evolve into various genres, such as liturgical drama and mystery plays. The longest collection of these religious plays, the York Cycle, would have taken up to twenty-two hours to perform continuously during the Corpus Christi festival, according to the online York Pageant Simulator. However, there is no evidence that all the plays in the collection were ever performed in the same year. The plays that can trace their genealogy to the Quem Quaeritis? lasted for about 650 years, until the end of the Protestant Reformation.