Palpatine

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Star Wars character
Palpatine/Darth Sidious

Position Senator of Chommell Sector, Supreme Chancellor of the Galactic Republic, Emperor of the Galactic Empire, Dark Lord of the Sith
Homeworld Naboo
Species Human
Gender Male
Affiliation Galactic Republic, Confederacy of Independent Systems, Galactic Empire, Sith
Portrayed by The Empire Strikes Back:
Clive Revill (original voice)
Ian McDiarmid (Special Edition)
Return of the Jedi and the prequel trilogy:
Ian McDiarmid
Star Wars: Clone Wars:
Nick Jameson (voice)

Palpatine is a fictional character in George Lucas' science fiction saga Star Wars. He was introduced in the original Star Wars films as the Emperor of the Galactic Empire, an aged, cowled, and pale-faced figure who walks with a cane. Palpatine appears in the prequel films as a middle-aged politician in the Galactic Republic who rises to power through deception and treachery. The character is featured in the animated miniseries Star Wars: Clone Wars (2003–2005) and in Star Wars literature. Scottish actor Ian McDiarmid portrays the character in the Star Wars feature films.

Palpatine is a major antagonist in Star Wars fiction. Born on the planet Naboo 82 years before the events of Star Wars Episode IV: A New Hope (1977),[2] he is a key politician in the Republic who claims to represent peace and democracy. In reality, Palpatine is Darth Sidious, a powerful Sith Lord who practices the dark side of the Force. He initiates and manipulates the Clone Wars to destroy the Jedi and establish the totalitarian Galactic Empire.

Lucas' original scripts for Star Wars characterize Palpatine as a cunning but weak politician under the control of powerful bureaucrats. However, in Return of the Jedi, the prequel trilogy and Star Wars literature, the character is depicted as the personification of evil. Palpatine was incorporated into the Star Wars merchandising campaigns that corresponded with the theatrical release of Return of the Jedi and the prequel films. He has since become a symbol of evil and sinister deception in popular culture, particularly in the United States.

Contents

Palpatine in The Phantom Menace
Palpatine in The Phantom Menace

In his 1999 prequel film Star Wars Episode I: The Phantom Menace, Lucas introduced Palpatine as an austere, middle-aged man and senior senator from the planet Naboo. Set 32 years before A New Hope, the film explains that the Trade Federation blockades and invades Naboo, forcing its queen — Padmé Amidala (Natalie Portman) — to flee to the galactic capital of Coruscant to receive counsel from the senator. Palpatine warns the Queen that the Senate is controlled by corrupt, ineffective bureaucrats. He persuades her to make a motion in the Senate to have Supreme Chancellor Finis Valorum (Terence Stamp) removed from office. Once this is accomplished, Palpatine is elected in his place. He promises to fight corruption and weaken the influence of bureaucrats in the government. As the mysterious Darth Sidious (an alter ego not revealed until Episode III), Palpatine secretly manipulates the Trade Federation. He sends his Sith apprentice, Darth Maul (Ray Park), to Naboo to oversee the invasion and find the queen. The invasion, however, is thwarted by Jedi Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor). Qui-Gon and Darth Maul are killed in a lightsaber duel; after Qui-Gon's funeral, Palpatine tells nine-year-old Anakin Skywalker (Jake Lloyd) — a slave the Jedi believe will bring balance to the Force — "We'll be watching your career with great interest."[3]

Lucas gave Palpatine a minor role in Star Wars Episode II: Attack of the Clones (2002), set 10 years after The Phantom Menace, but the character's actions are consequential. The galaxy is on the verge of civil war, with several thousand planets seceding from the Republic to form the Confederacy of Independent Systems, known as the Separatists. They are led by former Jedi Count Dooku (Christopher Lee), Darth Sidious' new apprentice. After Obi-Wan discovers a secret battle droid factory on the planet Geonosis, Palpatine uses the situation to have himself granted emergency powers. Palpatine tells the Senate, "It is with great reluctance that I have agreed to this calling. I love democracy ... I love the Republic." He promises, "The power you give me I will lay down once this crisis has abated." His first act is to create a Grand Army of the Republic to counter the Separatist threat. The Separatist crisis and ensuing Clone Wars are both orchestrated by Palpatine as Darth Sidious. At the same time, he recommends that Padmé Amidala, now a Senator, be placed under the protection of Obi-Wan and his padawan Anakin (Hayden Christensen) following a failed assassination attempt. This leads to Anakin and Padmé's marriage at the end of the film.[4]

Palpatine makes his final feature film appearance as the main antagonist is in Star Wars Episode III: Revenge of the Sith (2005), set three years after Attack of the Clones. He is captured by Separatist commander General Grievous (Matthew Wood). Palpatine is rescued by Obi-Wan and Anakin, but not before the Jedi confront Count Dooku; Anakin decapitates the Sith apprentice in cold blood during the lightsaber duel, at Palpatine's urging. The Supreme Chancellor has by this point become very powerful and remained in office long after his term expired due to his emergency powers. The Jedi Council is troubled by Palpatine's power and fears he will not relinquish it when the Clone Wars end. Palpatine raises their suspicions further by requesting that Anakin be placed on the Jedi Council as his personal representative. He and Anakin have become close friends over the years, and the Council wants to use the relationship to spy on the Chancellor. Uneasy about deceiving his friend, Anakin reveals the Jedi's plan to Palpatine, who warns that it is the Jedi who are afraid to give up their power. Palpatine then tells Anakin the story of Darth Plagueis the Wise, a powerful Sith Lord who was able to create life and stop death but was killed by his apprentice (later revealed to be none other than Darth Sidious).[5]

Palpatine informs Anakin that he is the Sith Lord for which the Jedi have been searching; he tempts Anakin with promises of power over life and death. Palpatine knows that Anakin has been having visions of his wife, Padmé, dying in childbirth and offers to teach him the secrets of Darth Plagueis to save her life. Anakin informs Jedi Master Mace Windu (Samuel L. Jackson) that Palpatine is a Sith Lord. When Windu and three other Jedi masters (Agen Kolar, Saesee Tiin, and Kit Fisto) attempt to arrest the Chancellor, Palpatine engages them in lightsaber combat, quickly dispatching all but Windu. During the conflict, Palpatine is disfigured by his own Force lightning. Just as Windu is about to execute Palpatine, Anakin intervenes by severing Windu's hand with his lightsaber. The Sith Lord then unleashes a blast of Force lightning, throwing Windu out into the streets below. Anakin becomes Palpatine's new apprentice, Darth Vader, and is sent to destroy the Jedi Temple and the Separatist leaders at the planet Mustafar.

Palpatine initiates Order 66, which instructs the Republic's clone troopers to kill the Jedi, and he announces to the Senate that the Jedi were planning to overthrow the Republic. He then transforms the Republic into the Galactic Empire, naming himself Emperor for life. Jedi Master Yoda (Frank Oz) survives Order 66 and confronts Palpatine in his Senate office, but eventually has no choice but to retreat into exile. Sensing his apprentice is in trouble, Palpatine travels to Mustafar, where he finds Vader maimed and burned to the point of death following his duel with Obi-Wan. Palpatine returns to Coruscant with Vader and provides him with a black armor suit and cyborg limbs. He then informs Vader that he (Vader) had killed Padmé. Palpatine is last seen examining the construction of the Death Star alongside Darth Vader.[5]

The Emperor's first appearance on film is in the second installment of the original Star Wars trilogy, The Empire Strikes Back, where he is depicted as an ancient-looking man with a pale face. As Darth Vader (David Prowse) and the Imperial fleet pursue the Millennium Falcon after the Battle of Hoth, Vader is notified that the Emperor is attempting to contact him. A holographic image appears of the Emperor and Vader asks, "What is thy bidding, my Master?" The Emperor tells him that "there is a great disturbance in the Force." This refers to Luke Skywalker (Mark Hamill), the "offspring of Anakin Skywalker." The Emperor believes that the young Rebel could destroy the Sith: "The Force is strong with him. The son of Skywalker must not become a Jedi." Vader convinces the Emperor that if Luke turns to the dark side, he would become a powerful ally. He tells the Emperor, "He will join us or die, Master."[6]

The Emperor makes his second film appearance in Return of the Jedi, the final episode of the original Star Wars trilogy (and chronologically the entire Star Wars film saga). The Emperor arrives on the second Death Star, in orbit around the forest moon of Endor, to oversee the last stages of its construction. When a Rebel strike team that includes Han Solo (Harrison Ford), Princess Leia Organa (Carrie Fisher), and Luke Skywalker lands on Endor, Vader senses his son's presence. Luke believes he can turn his father from the dark side, and the Emperor tells Vader, "His compassion for you will be his undoing. He will come to you, and you will bring him before me." The Emperor convinces Vader that only "together can we turn him to the dark side of the Force." Luke surrenders to Imperial forces on Endor and is delivered to the Emperor by Darth Vader. The Emperor attempts to convert him to the dark side after defeating his father in a lightsaber duel: "Good! Your hate has made you powerful. Now fulfill your destiny and take your father's place at my side!" Luke refuses, and Palpatine attacks him with Force lightning. At the last minute, Vader returns from the dark side and throws the Emperor into the Death Star's reactor shaft, where his body explodes in a fury of dark energy.[7]

Palpatine is a central character in Genndy Tartakovsky's Star Wars: Clone Wars, an animated miniseries set between Attack of the Clones and Revenge of the Sith that aired on Cartoon Network from 2003 to 2005. Palpatine and Darth Sidious are voiced by Nick Jameson.[8] In the series, Palpatine is busy on Coruscant running the government, and Darth Sidious appears as a hologram giving orders to Count Dooku, General Grievous, and other Separatist leaders. The character is based on McDiarmid's likeness in The Phantom Menace and Attack of the Clones.

Palpatine in the Star Wars: Clone Wars miniseries
Palpatine in the Star Wars: Clone Wars miniseries

In the first chapter, Obi-Wan informs Palpatine that the Jedi have discovered that the InterGalactic Banking Clan has established battle droid factories on the planet Muunilinst. Palpatine agrees to send a strike force that includes Obi-Wan and Anakin, but Palpatine suggests that Anakin be given "special command" of Obi-Wan's fighters. Yoda and Obi-Wan initially speak against it, but reluctantly concede to the Chancellor.[9] In another chapter, Darth Sidious appears to Count Dooku as a holographic image shortly after Dooku trains Asajj Ventress, a Force-sensitive female alien adept in the dark side. Sidious orders her to track down and kill Anakin Skywalker. He remarks to Count Dooku that her failure is certain, but the point of her mission is to test Anakin.[10]

Chapter 22 features the training of General Grievous by Count Dooku. Darth Sidious appears as a hologram and orders Grievous to begin the special mission: an assault on the galactic capital.[11] The Separatist invasion of Coruscant begins in the next episode, and Palpatine watches from the window in his private residence. He is protected by Jedi Shaak Ti, Roron Corobb, and Foul Moudama. Grievous breaks through the Chancellor's window and kidnaps him.[12] Roron and Foul are killed by Grievous as Palpatine is taken to the Invisible Hand, Grievous' flagship.[13][14]

Star Wars Expanded Universe literature elaborates on Palpatine's role in Star Wars fiction outside of the films. The first mention of Palpatine in Star Wars literature is in Alan Dean Foster's (writing as George Lucas)[15] novelization of the script of A New Hope, published as Star Wars: From the Adventures of Luke Skywalker (1976).[16] Foster characterizes Palpatine as a cunning but weak politician controlled by bureaucrats.

Palpatine made his first major appearance in the Expanded Universe in 1991 and 1992 with the Dark Empire series of comic books written by Tom Veitch and illustrated by Cam Kennedy. In the series, set six years after Return of the Jedi, Palpatine is resurrected as the Emperor Reborn or Palpatine the Undying. His spirit returns from the netherworld of the Force with the aid of Sith ghosts on Korriban and possesses the body of Jeng Droga, one of Palpatine's elite spies and assassins known as the Emperor's Hands. Droga flees to a secret Imperial base on the planet Byss, where the Emperor's advisor Sate Pestage exorcises Palpatine's spirit and channels it into one of many clones created by Palpatine before his death. Palpatine attempts to resume control of the galaxy, but his plans are sabotaged by Luke Skywalker, who is now a Jedi Master. He destroys most of Palpatine's cloning tanks, but is only able to defeat the Emperor with Princess Leia's help.[17]

The clone Palpatine, as depicted in the Dark Empire series by Tom Veitch and Cam Kennedy
The clone Palpatine, as depicted in the Dark Empire series by Tom Veitch and Cam Kennedy

Palpatine's ultimate fate is further chronicled in the Dark Empire II and Empire's End series of comics. The Dark Empire II series, published from 1994 to 1995, details how the Emperor is once again reborn on Byss into a clone body. Palpatine tries to rebuild the Empire as the Rebel Alliance grows weak.[18] In Empire's End (1995), a traitorous Imperial guard bribes Palpatine's cloning supervisor to tamper with the Emperor's stored DNA samples. This causes the clones to deteriorate at a rapid rate. Palpatine attempts to possess the body of Anakin Solo, the infant son of Princess Leia and Han Solo, before the clone body dies, but is thwarted once again by Luke Skywalker. Palpatine is killed by a blaster shot fired by Han, and his spirit is captured by a wounded Jedi named Empatojayos Brand, who uses his remaining strength to prevent Palpatine's spirit from escaping. When Brand dies, he takes Palpatine's spirit to the netherworld with him.[19]

Novels and comics published before 1999 focus on Palpatine's role as Galactic Emperor. Shadows of the Empire (1996) by Steve Perry and The Mandalorian Armor (1998) by K. W. Jeter — all set between The Empire Strikes Back and Return of the Jedi — show how Palpatine uses crime lords such as Prince Xizor and bounty hunters like Boba Fett to fight his enemies.[20][21] Barbara Hambly's novel Children of the Jedi (1995), set eight years after Return of the Jedi, features a woman named Roganda Ismaren who claims that Palpatine fathered her son Irek.[22] The Jedi Prince series of novels introduces an insane, three-eyed mutant named Triclops as Palpatine's true son.[23]

Beginning in 1999 with Terry Brooks' novelization of The Phantom Menace, Star Wars writers chronicled the role of Palpatine prior to A New Hope as a politician and Sith Lord. The comic "Marked" by Rob Williams, printed in Star Wars Tales 24 (2005), and Michael Reaves's novel Darth Maul: Shadow Hunter (2001) explain Darth Sidious' relationship with his apprentice Darth Maul.[24][25] Cloak of Deception (2001) by James Luceno follows Reaves' novel and details how Darth Sidious encourages the Trade Federation to build an army of battle droids in preparation for the invasion of Naboo. Cloak of Deception also focuses on Palpatine's early political career. It is revealed how he becomes a confidante of Supreme Chancellor Finis Valorum and acquainted with Padmé Amidala, newly elected queen of Naboo.[26] Palpatine's role during the Clone Wars as Supreme Chancellor and Darth Sidious is explained in novels such as Matthew Stover's Shatterpoint (2003), Steven Barnes' The Cestus Deception (2004), Sean Stewart's Yoda: Dark Rendezvous (2004), and Luceno's Labyrinth of Evil (2005).

Following the theatrical release of Revenge of the Sith, Star Wars literature focused on Palpatine's role after the creation of the Empire. John Ostrander's comic Star Wars Republic 78: Loyalties (2005) chronicles how Emperor Palpatine sends Darth Vader to assassinate Sagoro Autem, an Imperial captain who wants nothing to do with the new government and plans to defect.[27] In Luceno's novel Dark Lord: The Rise of Darth Vader (2005), the Emperor sends Darth Vader to the planet Murkhana to discover why clone troopers there refused to carry out Order 66 against their Jedi generals. Palpatine hopes these early missions will teach Vader what it means to be a Sith and crush any remnants of Anakin Skywalker.[28]

In Star Wars fiction, Palpatine is described as a manipulative and ambitious politician, a ruthless emperor, and an evil Sith Lord. The Star Wars Databank describes him as "the supreme ruler of the most powerful tyrannical regime the galaxy had ever witnessed"[1] and Stephen J. Sansweet's Star Wars Encyclopedia calls him "evil incarnate".[29] In A New Hope and The Empire Strikes Back, Darth Vader is depicted as the ultimate Star Wars villain, but as critic James Berardinelli notes, "With the arrival of the Emperor (a gaunt-looking Ian McDiarmid) [in Return of the Jedi], Vader has turned into a second fiddle."[30] Darth Vader himself reminds Moff Jerjerrod, "The Emperor is not as forgiving as I am."[7]

As a Senator, Palpatine is portrayed as "unassuming yet ambitious".[1] In Cloak of Deception, James Luceno writes that Palpatine carefully guards his privacy and "others found his reclusiveness intriguing, as if he led a secret life."[31] Despite this, he has many allies in the government. Luceno writes, "What Palpatine lacked in charisma, he made up for in candor, and it was that directness that had led to his widespread appeal in the senate. ... For in his heart he judged the universe on his own terms, with a clear sense of right and wrong."[31] In Terry Brooks' novelization of The Phantom Menace, Senator Palpatine claims to embrace democratic principles. He tells Queen Amidala, "I promise, Your Majesty, if I am elected [Supreme Chancellor], I will restore democracy to the Republic. I will put an end to the corruption that has plagued the Senate."[32] A Visual Dictionary states that he is a self-proclaimed savior.[33]

As Emperor, Palpatine abandons any semblance of democracy. Sansweet states, "His Empire ... was based on tyranny, hatred of nonhumans, brutal and lethal force, and, above all else, constant fear."[29] In Matthew Stover's novelization of Revenge of the Sith, Count Dooku anticipates the coming of the new government: "A government clean, pure, direct: none of the messy scramble for the favor of ignorant rabble and subhuman creatures that made up the Republic he so despised. The government he would serve would be Authority personified. Human authority."[34] The Emperor enforces his will through clandestine, Force-sensitive agents known as the Emperor's Hands. The Star Wars Encyclopedia calls them "the Emperor's eyes and ears throughout the galaxy" who "communicate with him ... through the Force." Prominent Hands include Mara Jade and Palpatine's mistress, Roganda Ismaren.[35]

The apprentice of Darth Plagueis,[36] Palpatine is "the most powerful practitioner of the Sith ways in modern times."[37] The comic Sithisis by Derek Thompson, printed in Star Wars: Visionaries (2005), reveals the extent of Darth Sidious' power as he performs a terrifying Sith ritual that manipulates people and places across the galaxy.[38] Palpatine is so powerful that he is able to mask his true identity from the Jedi. In Shatterpoint, Mace Windu remarks to Yoda, "A shame [Palpatine] can't touch the Force. He might have been a fine Jedi."[39]

The Databank explains that the Force "granted him inhuman dexterity and speed, agility enough to quickly kill three Jedi Masters" in seconds.[1] Palpatine is a master lightsaber duellist and skilled at using Force lightning to attack his opponents.[1] Stover elaborates on the duel between Palpatine and Yoda: "From the shadow of a black wing, a small weapon ... slid into a withered hand and spat a flame-colored blade[.] When the blades met it was more than Yoda against Palpatine, more the millennia of Sith against the legions of Jedi; this was the expression of the fundamental conflict of the universe itself. Light against dark. Winner take all."[40] During the duel, Yoda realizes, "He had lost before he started."[41]

According to the Databank and New Essential Guide to Characters, Palpatine possesses great patience and his maneuverings are as a dejarik grandmaster moves pieces on a board.[42] He is a diabolical genius.[43][44]

Lucas' conceptualization of Palpatine and the role the character plays in Star Wars changed over time. Palpatine became the ultimate personification of evil in Star Wars, replacing Darth Vader as the central villain. The character was portrayed by Ian McDiarmid in the Star Wars films.

In Lucas' early draft scripts of Star Wars, the Emperor was identified as Cos Dashit.[45] In one version of A New Hope he rules from the Imperial throne world of Alderaan,[45] while in a draft of Return of the Jedi the throne world is called Had Abbadon.[46] When the original Star Wars trilogy was filmed, the Emperor was unnamed and the throne world unidentified. Lucas' original conception of Palpatine was of a cunning but weak politician elevated into office and controlled by bureaucrats. It was not clear if Palpatine could use the Force. In the prologue of the 1976 A New Hope novelization, Foster writes that the Republic "rotted from within though the danger was not visible from the outside." He explains,

Aided and abetted by restless, power-hungry individuals within the government, and the massive organs of commerce, the ambitious Senator Palpatine caused himself to be elected President of the Republic. He promised to reunite the disaffected among the people and to restore the remembered glory of the Republic. Once secure in office he declared himself Emperor, shutting himself away from the populace. Soon he was controlled by the very assistants and boot-lickers he had appointed to high office, and the cries of the people for justice did not reach his ears.[16]

Concept artwork of the Emperor for Return of the Jedi depicts a powerful figure adept in the dark side of the Force
Concept artwork of the Emperor for Return of the Jedi depicts a powerful figure adept in the dark side of the Force

The initial descriptions of Palpatine were replaced in Return of the Jedi by a powerful, dictatorial ruler adept in the dark side of the Force. The Emperor was inspired by the villain Ming the Merciless from the Flash Gordon comic books.[47] Lucas explained in an interview that he also patterned the Emperor after several historical figures, including Julius Caesar, Napoleon Bonaparte, Adolf Hitler, and Richard Nixon. Lucas said, "The whole point of the movies, the underlying element that makes the movies work, is that you, whether you go backwards or forwards, you start out in a democracy, and democracy turns into a dictatorship, and then the rebels make it back into a democracy."[48] With the release of Revenge of the Sith in 2005, film critics and commentators pointed out similarities between the politics of Star Wars and the presidential administration of George W. Bush, specifically the war in Iraq. In response, Lucas told USA Today that "When I wrote this, Iraq didn't exist."[49]

Film historian Laurent Bouzereau reports that Lucas and Leigh Brackett decided that "the Emperor and the Force had to be the two main concerns in the [Empire Strikes Back]; the Emperor had barely been dealt with in the first movie, and the intention in the sequel was to deal with him on a more concrete level."[50] Instead, Lucas decided to feature the Emperor in Return of the Jedi.

Lucas wanted to establish the Emperor as the true source of evil in Star Wars. Script writer Lawrence Kasdan noted, "My sense of the relationship [between Darth Vader and the Emperor] is that the Emperor is much more powerful ... and that Vader is very much intimidated by him. Vader has dignity, but the Emperor in Jedi really has all the power." [51] He explained that the climax of the film is a confrontation between Darth Vader and his master. In the first scene that shows the Emperor, he arrives at the Death Star and is greeted by a host of stormtroopers, technicians, and other personnel. Lucas states he wanted it to look like the military parades on "May Day in Russia".[52]

Palpatine's role in The Phantom Menace is to explain "how Anakin Skywalker came to be [Palpatine's] apprentice" and the events that lead to his rise to power.[53] The true identity of Darth Sidious — the phantom menace — is left a mystery. His relationship to Palpatine is not clear. Film critic Jonathan L. Bowen remarks, "Debates raged on the Internet concerning the relationship between Darth Sidious and Senator Palpatine. Most fans believed the two characters are actually the same person with logic seeming to support their conclusion." Bowen notes that the debate was fueled by the fact that "suspiciously Darth Sidious does not appear in the credits."[54]

When the Emperor appeared on film for the first time in The Empire Strikes Back, he was portrayed by an unidentified old woman in prosthetic make-up. Chimpanzee eyes were superimposed into darkened eye sockets during post-production "in order to create a truly unsettling image". The character was voiced by Clive Revill.[45] In the 2004 DVD release of The Empire Strikes Back Special Edition, the old woman was replaced by McDiarmid and the dialogue between the Emperor and Darth Vader was revised. During production of Revenge of the Sith, Lucas decided to shoot new footage for Empire Strikes Back to preserve continuity between the prequels and original trilogy.[55]

Lucas and Return of the Jedi director Richard Marquand cast British Shakespearean actor Ian McDiarmid to play Emperor Palpatine. He was in his mid-30s and had never played a leading role in a feature film, but he had made minor appearances in films like Dragonslayer (1981). Despite his inexperience with motion pictures, McDiarmid "create[d] a modern day icon of cinematic evil." After Return of the Jedi, he resumed stage acting in London.[56]

In an interview with BackStage, McDiarmid revealed that he "never had his sights set on a film career and never even auditioned for the role of Palpatine." He elaborated, "I got called in for the interview after a Return of the Jedi casting director saw me perform in the Sam Shepard play Seduced at a studio theatre at the Royal Court. I was playing a dying Howard Hughes."[57]

McDiarmid was surprised when Lucas approached him 16 years after Return of the Jedi to reprise the role of Palpatine. In an interview, he stated, "When we were doing Return of the Jedi there was a rumor that George Lucas had nine films in his head, and he'd clearly just completed three of them." McDiarmid added, "Someone said that, 'Oh, I think what he might do next is go back in time, and show how Vader came to be.' It never occurred to me in a million years that I would be involved in that, because I thought, 'oh well, then he'll get a much younger actor [to play Palpatine].' That would be obvious." However, "I was the right age, ironically, for the first prequel when it was made. ... So I was in the very strange and rather wonderful paradox of playing myself when young at my own age, having played myself previously when 100-and-I-don't-know-what."[58]

Recalling the initial days of shooting The Phantom Menace, McDiarmid stated, "Stepping onto the set of Episode I for the first time was like going back in time, due to my experience in Jedi. Palpatine's an interesting character; he's conventional on the outside, but demonic on the inside — he's on the edge, trying to go beyond what's possible."[59] McDiarmid added another layer to the character in Attack of the Clones. He noted, "[Palpatine] is a supreme actor. He has to be even more convincing than somebody who isn't behaving in a schizophrenic fashion, so he's extra charming, or extra professional — and for those who are looking for clues, that's almost where you can see them." McDiarmid illuminated on the scene where Padmé Amidala is almost assassinated:

There's a moment in one scene of the new film where tears almost appear in his eye. These are crocodile tears, but for all those in the movie, and perhaps watching the movie itself, they'll see he is apparently moved — and of course, he is. He can just do it. He can, as it were, turn it on. And I suppose for him, it's also a bit of a turn-on — the pure exercise of power is what he's all about. That's the only thing he's interested in and the only thing that can satisfy him — which makes him completely fascinating to play, because it is an evil soul. He is more evil than the devil. At least Satan fell — he has a history, and it's one of revenge.[60]

In Revenge of the Sith, McDiarmid had to play a darker interpretation of the character. He explained that "[w]hen you're playing a character of solid blackness, that in itself is very interesting, in the sense that you have no other motivation other than the accumulation of power. It's not so much about not having a moral center, it's just that the only thing that mattered is increasing power." He admitted, "I've been trying to find a redeeming feature to Palpatine, and the only one I've got so far is that he's clearly a patron of the arts because he goes to the opera."[61] McDiarmid compared the character to Iago from the Shakespeare tragedy Othello:

Everything he does is an act of pure hypocrisy, and that's interesting to play. I suppose it's rather like playing Iago. All the characters in the play — including Othello until the end — think that "Honest Iago" is a decent guy doing his job, and he's quite liked. But at the same time there's a tremendous evil subconscious in operation.[56]

McDiarmid noticed that the script for Revenge of the Sith demanded more action from his character than in previous films. Lightsaber combat was a challenge to the 60-year-old actor, who took fencing lessons much like the other actors. The close-up shots of the duel between Palpatine and Mace Windu were performed by McDiarmid.[62] Advanced fencing and acrobatic stunts were executed by McDiarmid's doubles, Michael Byrne, Sebastian Dickins, and Bob Bowles.[63]

McDiarmid's performance as Palpatine was generally well-received by critics. Todd McCarthy of Variety commented, "Entertaining from start to finish and even enthralling at times, 'Sith' has some acting worth writing home about, specifically McDiarmid's dominant turn as the mastermind of the evil empire."[64] A reviewer for The Village Voice wrote that "Ian McDiarmid's unctuous Emperor — who bears a strange resemblance to Pope Benedict XVI, sunken eyes and all — turns appropriately vampiric as he attempts to draw Anakin into the Sith fold with promises of eternal life."[65] Still, his performance was not without detractors; David Edelstein of Slate critiqued, "McDiarmid isn't the subtlest of satanic tempters. With his lisp and his clammy little leer, he looks like an old queen keen on trading an aging butt-boy (Count Dooku) for fresh meat — which leaves Anakin looking more and more like a 15-watt bulb."[66]

Ian McDiarmid required little make-up in The Phantom Menace and Attack of the Clones. He recalled, "I'm ... slightly aged [in Attack of the Clones]. In the last film, I had a fairly standard make-up on, but now, they're starting to crinkle my face."[67] Transforming McDiarmid into Emperor Palpatine in Return of the Jedi and Revenge of the Sith, however, required extensive make-up. McDiarmid remarked in an interview with Star Wars Insider magazine, "Yes — that was a four-hour job, initially, although we got it down to about two-and-a-half in the end. But this was just a little bit of latex here and there, a little bit of skin-scrunching."[67] He told the Homing Beacon newsletter, "When my face changes in the film, my mind went back to the early silent movie of The Phantom of the Opera with Lon Chaney."[61] Film critic Roger Ebert wrote that he "looks uncannily like Death in The Seventh Seal" (1957)[68] and film historian Robin Wood compares him to the witch from Snow White and the Seven Dwarfs (1937) and the "Black Cowled Monk" in Sergei Eisenstein's Alexander Nevsky.[69]

Palpatine's wardrobe, tailored by costume designer Trisha Biggar, played an important part in the development of the character throughout the films. In Attack of the Clones, explained McDiarmid, "The costumes ... have got much more edge to them, I think, than the mere Senator had [in The Phantom Menace]. So we see the trappings of power."[67] In the next episode, McDiarmid remarked, "To wear the costumes as the character I play is wonderfully empowering."[70] McDiarmid's favorite costume in Revenge of the Sith was a high-collared jacket that resembles snake or lizard skin. He stated that "it just feels reptilian, which is exactly right for [Palpatine]." According to Trisha Biggar, Palpatine's costumes proved the most daunting challenge. She said, "His six costumes get progressively darker and more ornately decorated throughout the movie. He wears grays and browns, almost going to black, taking him toward the dark side."[70]

With the premiere of Return of Jedi and the prequel films and the accompanying merchandising campaign, Palpatine became an icon in American popular culture. Kenner/Hasbro produced and marketed a series of action figures of the character from 1983 to 2005.[71] According to John Shelton Lawrence and Robert Jewett, "These action figures allow children ('4 & up') to handle the symbols of the Force."[72]

Academics have debated the relationship of Palpatine to modern culture. Religion scholars Ross Shepard Kraemer, William Cassidy, and Susan Schwartz compare Palpatine and Star Wars heroes to the theological concept of dualism. They insist, "One can certainly picture the evil emperor in Star Wars as Satan, complete with his infernal powers, leading his faceless minions such as his red-robed Imperial Guards."[73] Lawrence and Jewett argue that the killing of Palpatine in Return of the Jedi represented "the permanent subduing of evil". They assert that the "notion that the Light Side must battle against the Dark Side is a hoary artifact of European- and American-style crusades against evil" and "antithetical to the democratic understanding of governance."[74]

Palpatine's role in popular culture extends beyond the Star Wars universe and its fans. Since the release of Return of the Jedi, Palpatine has become synonymous in American mass media with evil, deception, manipulation, and power.[75] The character is utilized as a literary device — either as a simile or metaphor — to emphasize these traits. For example, one of the characters from Orland Outland's novel Every Man for Himself (1999) is described as "rubbing his hands together in imitation of the emperor in Return of the Jedi." He says, "Everything is happening exactly as I have foreseen!"[76]

Parody of Bush advisor Karl Rove as Palpatine in the television series American Dad!
Parody of Bush advisor Karl Rove as Palpatine in the television series American Dad!

In film and television, Palpatine's likeness is similarly used as a parody. Comedy series such as The Simpsons,[77] South Park,[78] American Dad!,[79] and Family Guy[80] have employed Palpatine's image to satirize characters and public figures. For instance, in the South Park episode "Best Friends Forever" that aired March 30, 2005, Satan sends his boyfriend Kevin, a parody of Emperor Palpatine, to secretly manipulate the Republican-controlled Congress into opposing human euthanasia to prevent a character from dying and going to Heaven.[78] Similarly, "Deacon Stan, Jesus Man," an episode of American Dad! portrays George W. Bush's former senior advisor Karl Rove as Palpatine from Revenge of the Sith. The main character, Stan Smith, uses Rove to help him become a deacon at his church through deceit.[79] He is also set to appear as the main villain In the new Kingdom Comedy series which will debut in 2008.

Palpatine's death was parodied in the Robot Chicken Star Wars Special where he engages a Yo Momma fight against Luke Skywalker and upon losing, as punishment for his loss, Darth Vader (just like in Return Of The Jedi) throws him to his death down the electricity power shaft.

Since Return of the Jedi and the prequels, Palpatine's name has been invoked as a caricature in politics. The liberal website BuzzFlash remarked in 2004, "When we saw ... [Senator] Zell Miller [of Georgia] giving his invective at the RNC, we knew it reminded us of someone. We just couldn't place it until we realized it was the hate in Zell's eyes, his skin and the way it looks like that hate is eating his soul. Then we remembered: he reminded us of the evil Emperor Palpatine from Star Wars. (We didn't know the Emperor had a name until this morning.)"[81] A Seattle Post-Intelligencer editorial noted that anti-pork bloggers were caricaturing West Virginia senator Robert Byrd as "the Emperor Palpatine of pork" with Senator Ted Stevens of Alaska having "clear aspirations to be his Darth Vader." The charge followed a report that linked a secret hold on the Federal Funding Accountability and Transparency Act of 2006 to the two senators.[82] Politicians have made comparisons as well. In 2005, Democratic Senator Frank Lautenberg of New Jersey compared Republican Majority Leader Bill Frist of Tennessee to Palpatine in a speech on the Senate floor, complete with a visual aid. [83]

A Fox News editorial stated, "No cultural icon can exist without someone trying to stuff it into a political ideology. The Star Wars saga, the greatest pop culture icon of the last three decades, is no exception... Palpatine's dissolution of the Senate in favor of imperial rule has been compared to Julius Caesar's marginalization of the Roman Senate, Hitler's power-grab as chancellor, and FDR's court-packing scheme and creation of the imperial presidency."[84]

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