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Overblowing is a technique used in playing a wind instrument to produce a different pitch by changing the direction and/or force of the air stream. Overblowing can be done deliberately in order to get a higher pitch, or inadvertently, resulting in the instrument producing a note other than the one intended.

In simple woodwind instruments, overblowing can cause a change into a different register. For example, in the Irish tin whistle, the player can play in the upper octave by using the same fingering as in the lower octave, but blowing harder.

In brass instruments, overblowing (sometimes combined with tightening of the embouchure) produces a different harmonic.

In instruments such as the saxophone, clarinet, oboe, or bassoon, the transition from lower to higher registers is aided by a "register hole" which encourages a vibration node at a particular point in the pipe, causing the vibration pattern to change, so overblowing is not so important.

Another type of overblowing is that used on instruments such as the flute, where the direction of the airstream is altered in order to sound higher notes. This technique can also be demonstrated when blowing across the top of a glass bottle (beer bottle, wine bottle, etc.) to produce a pitch.

Contents 1 Bagpipes 2 Harmonica 3 Clarinet, saxophone, and oboe 4 References 5 External links

Overblowing is a problem that arises when playing the bagpipes. A phenomenon perhaps unique to piping, it is the most common reason for unsteady tone.

When a piper plays, a rhythm is set up between blowing into the blowstick and squeezing the bag. Often, a piper will over-squeeze the bag while still exhaling, causing the pipe to vary its tone.

In harmonica playing, overblowing involves more than simply "blowing harder"; it requires a proper embouchure, such that the reed that normally only sounds during draw can vibrated with blown air, and vice versa. If done properly, it will be a semitone higher than the normal note. While the exact mechanism is still unknown, one common way to do it is to use a blow bend embouchure on a draw-bend only reed (hole 1-6), and to use draw bend embouchure on a blow bend only reed (hole 7-10), and try to pop into the proper harmonics. Due to the fact that it is to use the opposite reed, overblowing cannot be done on valved harmonica or XB-40.

In the case of the clarinet, the instrument's single reed vibrates against its mouthpiece, opening and closing the instrument's closed tube to produce a tone. When the instrument is overblown, with or without the aid of its register key, the pitch is a twelfth higher.

In the case of a saxophone, which has a similar mouthpiece-reed combination to the clarinet, or an oboe, where the two halves of the instruments double reed vibrate against each other, to the same effect. However, since the bore of these instruments are conical, the closed tube has the properties of an open tube; so when the saxophone or oboe is overblown, it jumps an octave higher.

• Kool, Jaap, Das Saxophon (The Saxophone). pub J. J. Weber, Leipzig. 1931; translated to English by Lawrence Gwozdz. Herts, England: Egon Publishers Ltd, 1987.

• Harmonica overblow technique