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Onegin stanza (sometimes "Pushkin sonnet"[1]) refers to the verse form invented by Alexander Pushkin for his interpersonal epic Eugene Onegin. The work is (almost wholly) written in verses of iambic tetrameter with the unusual rhyme scheme "aBaBccDDeFFeGG", where the lowercase letters represent feminine rhymes (i.e., stressed on the penultimate syllable) and the uppercase representing masculine rhymes (on the final syllable).

Unlike other traditional forms, such as the Petrarchan sonnet or Shakespearean sonnet, the Onegin stanza does not divide into smaller stanzas of four lines or two in an obvious way. There are many different ways the sonnet can be divided; for example the first four lines can form a quartrain or instead join with the "cc" to form a set. The form's flexibility allows the author more scope to change how the semantic sections are divided from sonnet to sonnet, while keeping the sense of unity provided by keeping a fixed rhyme scheme. Also being written in iambic tetrameter gives the stanzas a stronger sense of motion than sonnets which use the more common iambic pentameter.

Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel The Golden Gate is written wholly in Onegin stanzas.

The Onegin stanza is also used in verse novel "Equinox" by Australian writer Matthew Rubinstein, serialized daily in the Sydney Morning Herald and currently awaiting publication; in the biography in verse "Richard Burgin" by Diana Burgin; in verse novel "Jack the Lady Killer" by HRF Keating (title borrowed from a line in "The Golden Gate" in Onegin stanza rhymes but not always preserving the metric pattern); and in several poems by Australian poet Gwen Harwood.^{[citation needed]}

• Tetrameter.com A website featuring work written in tetrameter by various poets
  • On Translating Eugene Onegin A poem by Vladimir Nabokov written in Onegin Stanzas
  • Selections from The Golden Gate