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Memento mori is a Latin phrase that may be freely translated as "Remember that you are mortal," "Remember you will die," or "Remember your death". It names a genre of artistic creations that vary widely from one another, but which all share the same purpose, which is to remind people of their own mortality.

In ancient Rome, the phrase is said to have been used on the occasions when a Roman general was parading through the streets of Rome during the victory celebration known as a triumph. Standing behind the victorious general was a slave, and he had the task of reminding the general that, though he was up on the peak today, tomorrow was another day. The servant did this by telling the general that he should remember that he was mortal, i.e. "Memento mori." (It is possible that the servant said instead "Respice post te! Hominem te memento!" (Look behind you! Remember that you are but a man!) as cited by Tertullian in chapter 33 of his Apologeticus.)

The phrase was otherwise referred to in the art of classical antiquity; more emphasis was given to the theme of carpe diem, or "seize the day." This carries echoes of the admonishment to "eat, drink, and be merry, for tomorrow we die", the language of which originates in Isaiah 22:13: "Eat and drink, for tomorrow we die!" (New American Bible translation). The thought appears elsewhere in Roman literature: Horace's Odes include the well known line Nunc est bibendum, nunc pede libero pulsanda tellus. (Now is the time to drink, now the time to dance footloose upon the earth.) Horace goes on to explain that now is the time because there will be no drinking or dancing in the afterlife, a classic example of the carpe diem theme.

The thought came into its own with Christianity, whose strong emphasis on Divine Judgment, Heaven, Hell, and the salvation of the soul brought death to the forefront of consciousness. Most memento mori works are products of Christian art, although there are equivalents in Buddhist art. In the Christian context, the memento mori acquires a moralizing purpose quite opposed to the Nunc est bibendum theme of Classical antiquity. To the Christian, the prospect of death serves to emphasize of the emptiness and fleetingness of earthly pleasures, luxuries, and achievements, and thus also as an invitation to focus one's thoughts on the prospect of the afterlife. A Biblical injunction often associated which the memento mori in this context is In omnibus operibus tuis memorare novissima tua, et in aeternum non peccabis (the Vulgate's Latin rendening of Ecclesiasticus 7:40, "in all thy works be mindful of thy last end and thou wilt never sin.")

The most obvious places to look for memento mori meditations are in funereal art and architecture. Perhaps the most striking to contemporary minds is the transi, or cadaver tomb, a tomb which depicts the decayed corpse of the deceased. This became a fashion in the tombs of the wealthy in the fifteenth century, and surviving examples still create a stark reminder of the vanity of earthly riches. The famous danse macabre, with its dancing depiction of the Grim Reaper carrying off rich and poor alike, is another well known example of the memento mori theme. This and similar depictions of Death decorated many European churches. Later, Puritan tombstones in the colonial United States frequently depicted winged skulls, skeletons, or angels snuffing out candles. See the themes associated with skull imagery.

Timepieces were formerly an apt reminder that your time on earth grows shorter with each passing minute. Public clocks would be decorated with mottos such as ultima forsan ("perhaps the last" [hour]) or vulnerant omnes, ultima necat ("they all wound, and the last kills"). Even today, clocks often carry the motto tempus fugit, "time flies." Old striking clocks often sported automata who would appear and strike the hour; some of the celebrated automaton clocks from Augsburg, Germany had Death striking the hour. The several computerized "death clocks" revive this old idea. Private people carried smaller reminders of their own mortality. Mary Queen of Scots owned a large watch carved in the form of a silver skull, embellished with the lines of Horace.

The artistic genre of still life was formerly called Vanitas, Latin for "vanity", because it was thought appropriate for each such painting to include some kind of symbol of mortality in each picture; these could be obvious ones like skulls, or subtler ones, like a flower losing its petals. See the themes associated with the image of the skull.

After the invention of photography, many people had photographs taken of recently dead family members; given the technical limitations of daguerreotype photography, this was one way to get the portrait subject to sit still.

Memento mori was also an important literary theme. Well known literary meditations on death in English prose include Sir Thomas Browne's Hydriotaphia, Urn Burial and Jeremy Taylor's Holy Living and Holy Dying. These works were part of a Jacobean cult of melancholia that marked the end of the Elizabethan era. In the late eighteenth century, literary elegies were a common genre; Thomas Gray's Elegy Written in a Country Churchyard and Edward Young's Night Thoughts were typical members of the genre.

Apart from the enormous genre of requiem and funeral music there is also a rich tradition of memento mori in the Early Music of Europe. Especially those facing the ever present death during the recurring bubonic plague pandemias from the 1340s onward (see Black Death) tried to toughen themselves by anticipating the inevitable in chants, from the simple Geisslerlieder of the Flagellant movement to the more refined cloistral or courtly songs. The lyrics often looked at life as a necessary and god-given vale of tears with death as a ransom and reminded people to lead sinless lives to stand a chance at Judgement Day. Two stanzas typical of memento mori in mediaeval music are from the virelai ad mortem festinamus of the Catalan Llibre Vermell de Montserrat from 1399:

Vita brevis breviter in brevi finietur,

Mors venit velociter quae neminem veretur,

Omnia mors perimit et nulli miseretur.

Ad mortem festinamus peccare desistamus.

Life is short and shortly it will end

Death comes quicker than you think

It takes everything away, but takes pity on no one

We hasten towards death, we shall restrain from sinning

Ni conversus fueris et sicut puer factus

Et vitam mutaveris in meliores actus,

Intrare non poteris regnum Dei beatus.

Ad mortem festinamus peccare desistamus.

If you don’t repent and become pure as a child

And if you don’t change your life by doing better,

You cannot enter the Kingdom of God.

We hasten towards death, we shall restrain from sinning

Much memento mori art is associated with the Mexican festival, Day of the Dead, including even skull-shaped candies, and bread loaves adorned with bread "bones". It was also famously expressed in the works of the Mexican engraver José Guadalupe Posada, in which various walks of life are depicted as skeletons.

• A modern literary variation on the memento mori theme may be found, for instance, in the short story El inmortal ("The Immortal," from the 1949 collection El Aleph), by Jorge Luis Borges.
• The movie Memento was based on Jonathan Nolan's short story "Memento Mori".
• Songs titled "Memento Mori" appear in Patti Smith's album "Peace and Noise", The Streets' album "The Hardest Way to Make an Easy Living", Moonspell's album "Memorial", Draconian's album "Dark Oceans We Cry", Matmos' album "A Chance to Cut Is a Chance to Cure", the Bastard Fairies' album "Memento Mori" (which quotes many of the historical examples in this article), Aviv Gefen's album "Memento Mori", Kamelot's album "The Black Halo" and Anathema's album Pentecost III.
• Episodes titled "Memento Mori" appear in the fourth season of The X-Files (see Memento Mori (The X-Files episode)) and the tenth season of Stargate SG-1 (see Memento Mori (Stargate SG-1)).
• In Lemony Snicket's A Series of Unfortunate Events, the school in The Austere Academy's motto is Memento Mori.

• Ars moriendi (the art of dying)
• Danse Macabre
• Death (personification)
• Death poem
• Elegy
• Epitaph
• Et in Arcadia ego
• Lament
• Macabre
• Skull (symbolism)
• Symbols of death
• Vanitas

• Isaiah 22
• Apologeticus
• Memento Mori Gallery