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Harold Hart Crane (July 21, 1899 – April 27, 1932) was a U.S. poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote poetry that was traditional in form, difficult and often archaic in language, and which sought to express something more than the ironic despair that Crane found in Eliot's poetry. Though frequently condemned as being difficult beyond comprehension, Crane has proved in the long run to be one of the most influential poets of his generation.

Born in Garrettsville, Ohio, Hart Crane’s father, Clarence, was a successful Ohio businessman who had made his fortune in the candy business by inventing the Life Saver. Crane’s mother and father were constantly fighting, and in 1916 they divorced. It was shortly thereafter that Hart dropped out of high school and headed to New York City. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. From Crane's letters, it appears that New York was where he felt most at home, and much of his poetry is set there.

Crane was a homosexual and associated his sexuality with his vocation as a poet. Raised in the Christian Science tradition of his mother, he never ceased to view himself as a pariah in relation to society. However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary in order for him to attain the visionary insight that formed the basis for his poetic work.

Throughout the early 1920s, small but well-respected literary magazines published some of Crane’s lyrics, gaining him, among the avant-garde, a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane’s best lyrics, including "For the Marriage of Faustus and Helen," and a powerful sequence of erotic poems called "Voyages," written while he was falling in love with Emil Opffer, a Danish merchant marineman.

"Faustus and Helen" was part of a larger artistic struggle to meet modernity with something more than despair. Crane identified T.S. Eliot with that kind of despair, and while he acknowledged the greatness of The Waste Land, he also said it was "so damned dead," an impasse, and a refusal to see "certain spiritual events and possibilities." Crane’s self-appointed work would be to bring those spiritual events and possibilities to poetic life, and so create "a mystical synthesis of America." He meant an epic poem. This ambition would finally issue in The Bridge (1930), where the Brooklyn Bridge is both the poem’s central symbol and its poetic starting point.

The Bridge received poor reviews for the most part, but much worse than that was Crane’s sense of failure. It was during the late '20s, while he was finishing The Bridge, that his drinking, always a problem, got notably worse.

While on a Guggenheim Fellowship in Mexico in 1931-32, his drinking continued while he suffered from bouts of alternating depression and elation. His only heterosexual affair—with Peggy Cowley, the wife of his friend Malcolm Cowley—was one of the few bright spots, and "The Broken Tower," one of his last published poems, emerges from that affair. Crane still felt himself a failure, though, in part because he recommenced homosexual activity despite his relationship with Cowley. Just before noon on April 27, 1932, on a steamship passage back to New York from Mexico—right after he was beaten up for making sexual advances to a male crewmember, which may have appeared to confirm his idea that one could not be happy as a homosexual—he committed suicide by jumping into the Gulf of Mexico. Although he had been drinking heavily and left no suicide note, witnesses believed Crane's intentions to be suicidal, as several reported that he exclaimed "Goodbye, everybody!" before throwing himself overboard.

Crane's suicide inspired several works of art by noted artist Jasper Johns, including "Periscope" and "Diver."

Contents 1 Hart Crane's Poetry and Prose 2 Published as 3 See also 4 External links

• White Buildings (1926) ISBN 0-87140-179-7
• The Bridge (1930) ISBN 0-87140-025-1
• The Complete Poems and Selected Letters and Prose (1966)
• O My Land, My Friends: The Selected Letters of Hart Crane (1997)
• At Melville's Tomb (1926)

• Complete Poems & Selected Letters (Langdon Hammer, ed.) (Library of America, 2006) ISBN 978-1-931082-99-0; ISBN 1-931082-99-5.

• Walt Whitman (a hero to Crane)
• Yvor Winters (a friend and critic of Crane)
• Christopher Marlowe (an influence on Crane's poetry)
• Harold Bloom (literary critic inspired by Crane)
• Modernist poetry in English
• Poetry of the United States
• Tennessee Williams (inspired by Crane)

• Modern American Poetry: Hart Crane (1899-1932)
• Litkicks article