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A girl group is a popular music act featuring several young female singers who generally harmonize together. Girl groups are often backed by male musicians, and serve as front artists for behind-the-scenes songwriters and music producers. The term "girl group" is generally not applied to girl bands, in which women play instruments as well as sing. Examples include The Supremes, The Weather Girls, Eternal, En Vogue, Bananarama, The Spice Girls, TLC, and more recently the The Pussycat Dolls, All Saints, Destiny's Child, Sugababes, Atomic Kitten, Danity Kane, and Girls Aloud.

Contents 1 History 1.1 1950s and 1960s 1.1.1 High-end production 1.1.2 Fashion 1.1.3 Crossing ethnic and cultural boundaries 1.2 Mid 1970s to mid 1980s 1.3 Late 1980s and the 1990s 1.4 2000s 2 Best-selling girl groups 3 Best-selling girl group albums 4 References 5 External links

During the Music Hall/Vaudeville era, all-girl singing groups were mainly novelty acts singing nonsense songs in silly voices. One of the first major exceptions was the Boswell Sisters, who became one of the most popular singing groups from 1930 to 1936, with over twenty hits. The Boswells were noted for their artistry, and often played their own instruments and performed their own arrangements. The Andrews Sisters started (1937) as a Boswell tribute band, filling the vacuum left after that group's demise. The Andrews Sisters remained hugely popular through the 1940s and 1950s as recording and performing stars, until the rise of early rock and roll made their tight-harmony, big band-derived style obsolete.

Among the earliest acts categorizable as a "girl group" are The Chantels, whose 1958 hit "Maybe" had many of the earmarks of what would become the classic girl-group sound: looser harmonies mixing elements of pop and rhythm and blues, an identifiable lead vocal within a harmony arrangement, and subject matter centered around young love.

As rock and roll began to quickly grow in popularity, dozens of groups tried their luck, often teaming up with established songwriters and record producers. The Shirelles, who had had some minor R&B hits, hooked up with Brill Building songwriters, notably Gerry Goffin and Carole King, who wrote "Will You Love Me Tomorrow" for them. The song became a number one pop hit in early 1961, and is widely recognized as establishing the prototypical girl-group style.

Other songwriters and producers quickly recognized the potential of this new approach, and recruited existing acts (or, in some cases, created them anew) to record their songs in a girl-group style. Phil Spector recruited The Crystals, The Blossoms, and The Ronettes, while Goffin and King handled much of the output of The Cookies. Jerry Leiber and Mike Stoller would likewise foster The Dixie Cups, The Shangri-Las, and The Exciters. Other important girl group songwriters included Ellie Greenwich, Jeff Barry, Cynthia Weil and Barry Mann. The Motown label also masterminded several major girl groups, beginning with The Marvelettes and later with Martha and the Vandellas and The Supremes.

By the mid to late 1960s, in the face of the British Invasion and the increasing popularity of rock music, the popularity of girl groups began to wane. During this time, only a few all-female groups, such as The Supremes and Martha and the Vandellas (both Motown), made the transition to an earthier, soulful sound and success. The influence of the girl-group sound would continue to be heard even as the rock era progressed; particularly through The Beatles, who would cover several girl-group hits including "Chains" (The Cookies), "Please Mr. Postman" (The Marvelettes), "Baby It's You", and "Boys" (both originally recorded by The Shirelles).

Besides harmony singing, girl group songs of the time were characterized by high-end production and dramatic arrangements, and producers were often as important to the recordings as the artists themselves. Spector was the most famous and influential producer of the era. His Wall of Sound production featured a thick layer of instrumentation (drums, guitar, bass, a horn section and often something more exotic, such as Glockenspiel or vibraphone). Amidst the musical accompaniment, there was a lead vocal, often deliberately girlish in tone, singing deceptively simple, naïve lyrics which artfully and eloquently expressed the emotions of teenagers of the time. An example would be The Ronettes' "Be My Baby," which doubles as both a charming love song and, implicitly, a portrayal of adolescent sexual mores. Many groups, such as the Shangri-Las, used productions inspired by Spector, even if Spector himself did not work on their records. Others, including some New York City-based groups like The Chiffons, used more conventional pop music arrangements, while the Motown groups used typical driving Motown arrangements of the period.

The high-production, harmony-heavy sound of girl groups was so well-established and proved so popular that many individual singers adopted the "girl-group sound." Lesley Gore and Little Eva were solo artists, but are often considered part of the girl group genre. Other groups, such as Ruby and the Romantics and The Essex, had the "girl-group sound," even though they were not composed entirely of females. The sound was also a key element of many of the "Beach Party" type movies of the same era, many starring Annette Funicello.

Fashion became a key aspect of the girl group phenomenon, especially as the acts began to be invited to appear on variety television programs and musical revues. Despite their often-humble backgrounds, the girl groups wore the latest and most stylish dresses (often in matching sets) and set styles for hair and clothing.

Although the most popular girl groups of the 1960s were primarily of young black women, their success and popularity crossed all ethnic and cultural boundaries, even during periods of racial tension. (A few white girl groups, including The Angels and The Paris Sisters, had hits that were basically indistinguishable in style and sound from their black counterparts.) Even when the content of the songs bordered on the risqué, the well-dressed, well-mannered young women in these groups found acceptance in suburban America, subtly changing attitudes and spearheading the crossover successes of many black musical acts to come.

From the mid 1970s to the mid 1980s, a profusion of successful disco/pop dance female groups were formed in continental Europe: Luv', Babe, Dolly Dots, Maywood, Doris D. & The Pins, Snoopy, Star Sisters, Mai Tai from the Netherlands, Silver Convention and Arabesque from Germany, and Baccara from Spain.

In the United States, the 1980s saw the emergence of girl groups such as The Go-Go's, The Bangles and Pointer Sisters, who charted several hits in the 1980s, including "Jump (for My Love)" and "I'm So Excited".

In the United Kingdom the New Wave/pop group Bananarama had an extensive number of Top 40 singles around the world in the 1980s and 1990s. Their most famous international hit, "Venus," hit #1 in the United States (a feat they didn't achieve in their homeland). In 1988, they entered the Guinness Book of World Records as the most successful all-female group in history, a title they held for over a decade. Former Bananarama member Siobhan Fahey created an edgy alternative group, Shakespears Sister, whose single "Stay" stayed at #1 in the UK for eight weeks (the longest run by any girl group) and made the top 5 in the US.

In the late 1980s and early 1990s in the United States, Exposé, Sweet Sensation, The Cover Girls, Jade, and Seduction all enjoyed commercial success with the growth of a Latin- or R&B-oriented dance sound. 1990 saw the beginning of Destiny's Child, whose success through to 2006 rendered them as the best-selling girl group of all time, with sales between 50 to 60 million records worldwide. ^[1][2] Billboard called them one of the best musical trios of all time.^[3][4]

Many of the girl groups of the 1990s returned to a manufactured pop style, marketed as clean-cut and aimed at young, predominantly female audiences. A prime example of this was the US vocal trio, Wilson Phillips. In Canada, West End Girls achieved minor hits on the Canadian charts.

In the UK, the R&B act Eternal scored a string of hits both within the U.K and internationally as well as having three multi-platinum selling albums. One of the most successful American R&B girl groups of the early 1990s was vocal quartet En Vogue. Irish girl group B*Witched enjoyed chart success with four #1 singles in the UK. The All Saints became one of the most successful British pop group of the 1990s with five #1 hits in the UK and two multi-platinum albums. Their second single, "Never Ever", is their biggest hit, topping the charts in UK and Australia.

Spice Girls had nine #1 singles in the UK, including "Wannabe", "2 Become 1" and "Spice Up Your Life". With sold-out concerts, advertisements, merchandise and a film, Spice Girls became the most commercially successful British girl group. They were the biggest selling female group of the 1990s, and one of best-selling female groups in the history. Their first album, Spice is the best-selling album of the all time by a female group, with 23 million sales worldwide.^[5][6] In total, Spice Girls sold in excess of 55 million records worldwide. ^[7]

In the 1990s, TLC became one of the biggest selling girl groups of all time. Their sophomore album, Crazy Sexy Cool is the best selling hip hop and female r&b group album of all time, with sales of 15 million copies. Billboard ranks them as one of the best musical trios of all time. SWV, another group from the 1990s, are the third best-selling female group to come out of the 1990s after Spice Girls and TLC.

In the early 2000s, popular girl groups included California-based Dream, the Swedish quartet Play, Chinese pop band S.H.E and the UK/U.S. quintet No Secrets. Bands like The Raveonettes, The Pipettes, Miss Derringer and the Detroit Cobras incorporate the sound of early-1960s girl groups.

The reality TV show Popstars produced some short-lived girl groups: in Australia, Bardot, in the US, Eden's Crush, in Argentina, Bandana, and in Canada, Sugar Jones. In Germany, Popstars produced the girl groups No Angels, Monrose and Preluders. In France, the show produced the girl groups L5 and Diadems.

Pussycat Dolls, an all-American girl group, gathered worldwide success with their #1 hit "Don't Cha" and songs such as "Stickwitu" and "Beep". In 2008, the creator of Pussycat Dolls, Robin Antin, created a new reality show in which women compete to become members of a new R&B/pop girl group Girlicious. Another creation of Antin is Paradiso Girls, the European version of Pussycat Dolls. Another co-creation is Girlesque, somewhat following in the footsteps of Pussycat Dolls.

In Germany, Soccx formed with five members from the US. They released the singles "From Dusk till Dawn" and "Scream Out Loud.".

In Korea, girl groups such as Baby V.O.X, Fin.K.L, S.E.S, Wonder Girls and Girls' Generation, led the K-pop boom in East Asia and contributed to Korean Wave (also known as Hanryu). In Japan, J-pop bands such as Zone, Morning Musume, AKB48 and Speed were popular girl groups in the 2000s.

The Cheetah Girls, a girl group spawned by two successful TV movies on Disney Channel, released two platinum-selling soundtracks. The group's 2006 tour was the most successful in Disney Channel history, and a year later, they released their studio debut album TCG, which debuted in the top 50 on the Billboard charts.

In 2005, P.Diddy formed Danity Kane in the MTV reality show, Making the Band 3. Their first album debuted at #1 on the main charts and went platinum. In two months, it sold one million copies worldwide. Danity Kane released their second studio album Welcome to the Dollhouse on March 18, 2008. The album debuted at #1 on the main charts and has since been certified gold. Danity Kane is the first girl group in history to have both there debut and sophomore album make it onto the main charts at #1 in the first week of release. The group has since released two top 10 hits.

Girl Group	Sales	Genre	Albums	Members	Years Active
1. Destiny's Child	50-60 million [8]	R&B Pop	7	3 - 4	1997 - 2005
2. Spice Girls	55 Million [9][10][11]	Pop	3	4 - 5	1996 - 2008
3. TLC	45 Million [12]	R&B Hip Hop	6	3	1991 - 2005
4. Bananarama	40 Million [13]	New Wave Pop	20	3	1979 - present
5. Dixie Chicks	36 Million [14][15]	Country	8	3	1989 - present
6. SWV	27 Million [16][17]	R&B	3	3	1990 - present

Album	Girl Group	Sales	Year Released	Genre
1. Spice	Spice Girls	23 Million [18][19][20]	1996/1997	Pop
2. CrazySexyCool	TLC	15 Million [21]	1994/1995	R&B/Hip Hop
3. Spiceworld	Spice Girls	14.5 Million [22]	1997	Pop
4. The Writing's on the Wall	Destiny's Child	13 Million [23]	1999/2000	R&B/Pop/Soul
5. Wide Open Spaces	Dixie Chicks	12 million [24]	1998	Country
6. Survivor	Destiny's Child	10 Million [25]	2001	R&B/Pop
7. Fanmail	TLC	10 Million [26]	1999	Hip Hop Soul
8. Fly	Dixie Chicks	10 million [27]	1999	Country

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