Coloratura soprano

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A coloratura soprano is a type of soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Some roles may be sung by either voice. For example, Donizetti's Lucia di Lammermoor was famously done at the Metropolitan Opera for many years by Lyric Coloratura Lily Pons, whose voice was quite small and light, but more recently the same role was sung by Ruth Ann Swenson whose voice is larger. Likewise, dramatic coloraturas have been extremely successful in singing the lighter roles. Categories within a certain voice range are determined by the size, weight and color of the voice.

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A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C (C4) to "high F" (F6). Such a soprano is sometimes referred to as a soprano leggiero if her vocal timbre has a slightly warmer quality. The soprano leggiero also typically does not go as high as other coloraturas, peaking at a "high E" (E6).[1] Bel canto roles were typically written for this voice, and a wide variety of other composers have also written coloratura parts. Baroque music, early music and baroque opera also have many roles for this voice.[2]

A coloratura soprano with great flexibility in high-lying velocity passages, yet with great sustaining power comparable to that of a full spinto or dramatic soprano. Various dramatic coloratura roles have different vocal demands for the singer - for instance, the voice that can sing Abigail (Nabucco, Verdi) is unlikely to also sing Lucia (Lucia di Lammermoor, Donizetti), but a factor in common is that the voice must be able to convey dramatic intensity as well as flexibility. Roles written specifically for this kind of voice include the more dramatic Mozart and bel canto female roles and early Verdi.[4]

It should also be noted that several of the dramatic soprano roles are also the province of lyric coloraturas, and that some dramatic coloraturas move easily between the lyric coloratura. Both voices can also sometimes sing roles into the lyric soprano, the soubrette and rarely the lirico spintoreperetoire.[6]

Listen to lyric coloratura Beverly Sills sing the following:

Listen to dramatic soprano Joan Sutherland sing the following:

  1. ^ http://www.dolmetsch.com/defsv2.htm
  2. ^ Boldrey (1994),Guide to Operatic Roles and Arias, cited below
  3. ^ Boldrey (1994),Guide to Operatic Roles and Arias, cited below
  4. ^ Coffin (1960), cited below
  5. ^ Boldrey (1994), Guide to Operatic Roles and Arias, cited below
  6. ^ Boldrey (1994),Guide to Operatic Roles and Arias, cited below

Boldrey, Richard (1994). Guide to Operatic Roles and Arias. Caldwell Publishing Company. ISBN 13: 9781877761645. 

Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition (Light Lyric Soprano): Operatic Arias - Light Lyric Soprano. Caldwell Publishing Company. ISBN 13: 9781877761027. 

Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition (Soubrette): Operatic Arias - Soubrette. Caldwell Publishing Company. ISBN 13: 9781877761034. 

Coffin, Berton (1960). Coloratura, Lyric and Dramatic Soprano, Vol. 1. Rowman & Littlefield Publishers, Inc.. ISBN 13: 9780810801882. 

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