Comparison of audio codecs

From Wikipedia, the free encyclopedia

The following tables compare general and technical information for a variety of audio codecs.

Contents

Basic general information about the codecs: creator/company, license/price etc.

Codec Creator First public release date Latest stable version Cost (USD) Common implementations Application Patented
Authoring User
AAC ISO/IEC MPEG Audio Committee 1997 ISO/IEC 14496-3 varies Free OSI: FAAC;

Proprietary: iTunes

Yes
ALAC Apple Computer 2004-04-28 QuickTime 7.1.3 User: Free Proprietary: QuickTime, iTunes, Real Player Lossless Ripping  ?
FLAC Xiph.Org Foundation 2001-07-20 1.1.4 Free Free OSI: reference Lossless Ripping No
Monkey's Audio Matthew T. Ashland 200?-??-?? 4.01b2 Free Free Proprietary Lossless  ?
MP3 ISO/IEC MPEG Audio Committee 1993 ISO/IEC 11172-3 (See note)  ? OSI: LAME; Proprietary: Nero Yes
(but see note)
Speex Xiph.Org Foundation 2003-03-24 1.1.12 Free Free OSI: reference voice recording No
Vorbis Xiph.Org Foundation 2002-07-20 1.1.2 Free Free OSI: reference, aoTuV No
WavPack Conifer Software 1998 4.31 Free Free OSI: reference No
Windows Media Audio Microsoft Corp. 1999 9.2  ? Free for owners of the Windows operating system [2]  ? Yes
Musepack Frank Klemm/MDT 1997 1.16 Free Free OSI: reference No

Notes:

  1. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs, is the date of first binary releasing. Many developing codecs have pre-releases consisting of pre-1.0 versions and perhaps 1.0 release candidates (RCs), although 1.0 may not necessarily be the release version.
  2. Latest stable version is that of specification or reference tools.
  3. If there happens to be OSI licensed software available for a particular codec, this does not necessarily permit one to use said codec free of charge. Likewise, if there is only proprietary licensed software available for a particular codec, one might be able to use the codec free of charge.
  4. MP3 licence and patent status: - The MP3 format is patented and therefore subject to license (expires latest: 2011). However with multiple contenders for the patent, it is far from certain in the market whom is the patent holder with the right to set pricing and royalties. A sample of prices for one patent-holder can be found here. In practice, there is a wide range of MP3 authoring softare and MP3 encoding worldwide is often performed on a private basis and unpaid, with patent rights unenforced against end users. See MP3#Licensing and patent issues.

Codec Windows Mac OS X Linux BSD Unix
AAC Yes Yes Yes Yes Yes
ALAC[1] Yes Yes Yes Yes Yes
FLAC Yes Yes Yes Yes Yes
Monkey's Audio Yes Yes Yes Yes Yes
MP3 Yes Yes Yes Yes Yes
Musepack Yes Yes Yes Yes Yes
RealAudio[2] Yes Yes Yes Yes Yes
Speex Yes Yes Yes Yes Yes
Vorbis Yes Yes Yes Yes Yes
WavPack Yes Yes Yes Yes Yes
WMA[2] Yes Yes[3] Partial Partial Partial

Codec Algorithm Sample Rate Bit rate[4] Bits per sample CBR VBR Stereo Mono
AAC Lossy, Hybrid 8 Hz to 192 kHz[5] 8 to 529 kbit/s (stereo) Any (typically uses fp internally) Yes Yes Yes: Dual, Mid/Side, Intensity, Parametric Yes
ALAC Lossless 44.1, 48 kHz variable  ? No Yes Yes Yes
FLAC Lossless 1 Hz to 1048.57 kHz variable 4, 8, 16, 24(, 32) No Yes Yes Yes
Monkey's Audio Lossless 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, 48 kHz variable  ? No Yes Yes Yes
MP3 Lossy 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, 48 kHz 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbit/s Any (typically uses fp internally) Yes Yes Yes: Dual, Mid/Side, Intensity Yes
RealAudio Lossless, Lossy Varies (see article) Varies (see article) Varies (see article) Yes Yes Yes Yes
Speex Speech 8, 16, 32(, 48) kHz NB: 2.15 to 24.6 kbit/s WB: 4 to 44.2 kbit/s  ? Yes Yes Yes: Intensity Yes
Vorbis Lossy 1 Hz to 200 kHz variable Any (typically uses fp internally) Yes Yes Yes: Dual, Lossless, Phase, Point (Intensity) Yes
WavPack Lossless, Lossy, Hybrid 1 Hz to 16777.216 kHz variable in lossless mode; 196 kbit/s and up in lossy mode (for CD audio) varies in lossless mode; 2.2 minimum in lossy mode Yes Yes Yes Yes
Windows Media Audio Lossless, Lossy 8, 11.025, 16, 22.05, 32, 44.1, 48, 88.2, 96 kHz 4 to 768kbit/s, variable in lossless encoding 16, 24 for lossless mode, any in lossy mode (typically uses fp internally) Yes Yes Yes Yes

  1. ^ An open-source decoder for ALAC has been reverse engineered.
  2. ^ a b The ffmpeg project has reverse engineered some codecs of the RealAudio and Windows Media Audio (DivX Audio v1 and DivX Audio v2) formats. This enables their use on any POSIX compatible system.
  3. ^ Microsoft has outsourced their WMA support on Mac OS X to Telestream, Inc. who created and maintain Windows Media Components for QuickTime, a product surprisingly superior to Windows Media Player for Mac OS.
  4. ^ Lossless compression is always VBR. [1]
  5. ^ MPEG 2 AAC was limited to a 96khz sampling rate, however, with MPEG 4 AAC, a later version part of the MPEG 4 specification, the maximum sampling rate has been increased to 192khz.

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