Charlie Patton

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Charlie Patton
Born May 1, 1891
Origin Edwards, Mississippi
Died April 28, 1934
near Indianola, Mississippi
Genre(s) Delta blues
Country blues
Gospel blues
Years active 1929 - 1934

Charlie Patton, better known as Charley Patton (May 1, 1891 - April 28, 1934) is best known as an American Delta blues musician. He is considered by many to be the "Father of Delta Blues" and therefore one of the oldest known figures of American popular music. He is credited with creating an enduring body of American music and personally inspiring just about every Delta blues man (Robert Palmer, 1995). Palmer considers him among the most important musicians that America produced in the twentieth century. Many sources, including some musical releases and even his gravestone, spell his name “Charley” even though the musician himself spelled his name “Charlie”.[citation needed]

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Charlie Patton was one of the first mainstream stars of the Delta blues genre. Patton, who was born in Hinds County, Mississippi near Edwards, lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in 1891, but there is still some debate about this. In 1900, however, his family moved 100 miles north to the legendary 10,000-acre Dockery Plantation sawmill and cotton farm near Ruleville, Mississippi. It was here that both John Lee Hooker and Howlin' Wolf fell under the Patton spell. It was also here that Robert Johnson played his first guitar.

At Dockery, Charlie fell under the tutelage of Henry Sloan, who had a new, unusual style of playing music which today would be considered very early blues. Charlie followed Henry Sloan around and by the time he was about 19 he was an accomplished performer and composer, having already written "Pony Blues" - a song that would become iconic of the era.

He was extremely popular across the Southern United States, and - in contrast to the itinerant wandering of most blues musicians of his time - was invited to perform at plantations and taverns. Long before Jimi Hendrix impressed audiences with stylish guitar playing, Patton gained notoriety for his showmanship, often playing guitar on his knees, behind his head, and behind his back. Although Patton was a small man at about 5 foot 5 and 135 pounds, the sound of his whiskey- and cigarette-scarred voice was rumored to have carried for over 500 yards without amplification. This gritty voice was a major influence in the singing style of one of his students, Howlin' Wolf.

Patton settled in Holly Ridge, Mississippi with his common-law wife and recording partner Bertha Lee in 1933. He died on the Heathman-Dedham plantation near Indianola from heart disease on April 28, 1934 and is buried in Holly Ridge (both towns are located in Sunflower County). A memorial headstone was erected on Patton's grave (the location of which was identified by the cemetery caretaker C. Howard who claimed to have been present at the burial) paid for by musician John Fogerty through the Mt. Zion Memorial Fund in July, 1990. The spelling of Patton's name was dictated by Jim O'Neal who also composed the Patton epitaph.

There apparently exists only one photograph of Charlie Patton, although its authenticity is disputed. Rights to it are owned by a collector named John Tefteller.

The question of Patton's ethnicity is of minor debate. Though he was most likely African-American, because of his light complexion there have been rumors that he was Mexican, or possibly full-blood Cherokee (Howlin' Wolf endorsed this theory.)

1891 Charlie Patton born in Hinds County, Mississippi near Edwards or Bolton.
1895 (Age 4) The Patton family moves near Edwards Depot.
1900 (Age 9) The Patton family moves to the Dockery Plantation in Sunflower County, Mississippi, where Charlie would meet Henry Sloan.
1905-1907 (Ages 14-16) Gets guitar lessons from Earl Harris of Cleveland, and learns "You Take My Woman" and "Maggie."
1908 (Age 17) Lives with Millie Barnes, and has a baby girl named Willie Mae.
1910 (Age 19) Writes songs including "Pony Blues," "Banty Rooster Blues," "Mississippi BoWeavil," and "Down The Dirt Road."
1916 (Age 25) Offered a position in W.C. Handy's band.
1922 (Age 31) Marries Mandy France on Oss Pepper's plantation.
1926 (Age 35) Willie Brown becomes his duet partner.
1929 (Age 38) Records fourteen titles for Paramount Records at Richmond, Indiana.
1929 (Age 38) In July, Paramount releases "Pony Blues," Patton's first issued recording, which sells well.
1929 (Age 38) Records again for Paramount, this time in Grafton, Wisconsin, with Henry "Son" Sims on fiddle.
1930 (Age 39) Third Paramount recording session, again in Grafton, Wisconsin, and accompanied by Son House and Willie Brown on guitar, and Louise Johnson on piano.
1932 (Age 41) Final Paramount recording is released.
1932 (Age 41) Marries Bertha Lee, an overseer's daughter, in Morgan City, Mississippi.
1933 (Age 42) Almost killed when his throat is slit near Holly Ridge, Mississippi.
1934 (Age 43) Records twenty-six titles, including "Oh Death," for the American Recording Company in New York City between January 30th and February 1st.
1934 (Age 43) Dies of heart failure on the Heathman-Dedham plantation in Mississippi.

Title Catalogue No. Release Date Notes
Paramount
Pony Blues/Banty Rooster Blues Paramount 12792 July 1929
Prayer Of Death Pt.1/Prayer Of Death Pt. 2 Paramount 12799 pseudonym as Elder J. Hadley
Screamin' And Hollerin' The Blues/Mississippi Bo Weavil Blues Paramount 12805 pseudonym as The Masked Marvel
Down The Dirt Road Blues/It Won't Be Long Paramount 12854
A Spoonful Blues/Shake It And Break It But Don't Let It Fall Mama Paramount 12869
Pea Vine Blues/Tom Rushen Blues Paramount 12877
Lord I'm Discouraged/I'm Going Home Paramount 12883
High Water Everywhere Pt. 1/High Water Everywhere Pt. 2 Paramount 12909 April 1930
Rattlesnake Blues/Running Wild Blues Paramount 12924
Magnolia Blues/Mean Black Cat Blues Paramount 12943 July 1930
Mean Black Moan/Heart Like Railroad Steel Paramount 12953 August 1930
Green River Blues/Elder Greene Blues Paramount 12972 September 1930
Jesus Is A Dying-Bed Maker/I Shall Not Be Moved Paramount 12986 October 1930
Hammer Blues/When Your Way Gets Dark Paramount 12988 November 1930
Moon Going Down/Going To Move To Alabama Paramount 13014 December 1930
Some Happy Day/You're Gonna Need Somebody When You Die Paramount 13031
Circle Round The Moon/Devil Sent The Rain Blues Paramount 13040 End 1930 / Beginning of 1931
Dry Well Blues/Bird Nest Bound Paramount 13070 Spring 1931
Some Summer Day Pt. 1/Jim Lee Blues Pt. 1 Paramount 13080 Spring / Summer 1931
Frankie And Albert/Some These Days I'll Be Gone Paramount 13110 Beginning 1932
Joe Kirby/Jim Lee Blues Pt. 2 Paramount 13133 Beginning 1932
Vocalion
34 Blues/Poor Me Vocalion 02651
High Sheriff Blues/Stone Pony Blues Vocalion 02680 15th April 1934
Love My Stuff/Jersey Bull Blues Vocalion 02782 1st September 1934
Oh Death/Troubled 'Bout My Mother Vocalion 02904 With Bertha Lee
Hang It On The Wall/Revenue Wall Blues Vocalion 02931 15th April 1935

  • Screamin' and Hollerin' the Blues: The Worlds of Charley Patton, Revenant Records No. 212, 2001, (Complete recordings on seven CDs including all alternate takes, all recordings of other artists with Patton as company and two books on Patton beside many other features.)

  • Bob Dylan dedicated his song "High Water (for Charley Patton)" on his 2001 album "Love and Theft" to Charlie Patton.
  • French singer/song writer Francis Cabrel refers to Charley Patton in the song "Cent Ans de Plus" on the 1999 album "Hors-Saison". Cabrel cites the artist as one of a number of blues influences, including Son House, Blind Lemon, Robert Johnson (musician), Howlin' Wolf, Blind Blake, Willie Dixon and Ma Rainey.
  • Indie Rock band, Gomez, recorded a song on their 2006 release How We Operate entitled "Charley Patton Songs".
  • There is a picture of Charlie Patton in the recording studio for The White Stripes' Icky Thump album. It can be seen in the background of the short demo video on their web site.
  • Jule Brown [1] recorded an updated arrangement of Patton's "Green River Blues" on their 2006 release Smoke and Mirrors.

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