Breakbeat

From Wikipedia, the free encyclopedia

(Redirected from Break-beat)
Jump to: navigation, search
This article is about breakbeat, the electronic dance music genre. For the technique and the meaning of the term with hip-hop and funk music see break (music). For the record label, see Breakbeat Kaos
Breakbeat
Stylistic origins: Rave, Techno, Hip-hop
Cultural origins: early 1970s New York City, mid-1990s, London, Brighton, Bristol
Typical instruments: Synthesizer - Drum machine - Sequencer - Keyboard - Sampler - Laptop
Mainstream popularity: Small, largely in late 1990s United Kingdom as well as United States, Canada, Australia and Europe.
Derivative forms: Drum'n'bass - Jungle
Subgenres
2Step - Acid - Big beat - Hardcore - Breakcore - Broken beat - Drill n bass - Funky Breaks - Grime - Nu skool breaks - Techstep
Fusion genres
Breakstep
Regional scenes
Florida
Other topics
Notable breakbeat artists

Breakbeat (sometimes breakbeats or breaks) is a term used to describe a collection of sub-genres of electronic music, usually characterized by the use of a non-straightened 4/4 drum pattern (as opposed to the steady beat of house or trance). These rhythms may be characterised by their intensive use of syncopation and polyrhythms.

In the late 1960s and early 1970s, hip-hop DJs (starting with Kool DJ Herc) began using several breaks (the part of a funk or jazz song in which the music "breaks" to let the rhythm section play unaccompanied) in a row to use as the rhythmic basis for hip-hop songs. Kool DJ Herc's breakbeat style was to play the same record on two turntables and play the break repeatedly by alternating between the two records. This style was copied and improved upon by early hip hop DJs Afrika Bambaataa and Grand Wizard Theodore.[1]

The Amen Break, a drum break from The Winston's song "Amen, Brother" is widely regarded as the most used break ever. This break was first used on "King of the Beats" by Mantronik, and has since been used in thousands of songs. Other popular breaks are from James Brown's "Funky Drummer" and "Give it Up or Turn it a Loose", The Incredible Bongo Band's "Apache", and Lyn Collins' "Think (About It)".[1]

In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore, also known as rave music. The hardcore scene then diverged into sub-genres like jungle and drum and bass, which generally had a darker sound and focused more on complex sampled drum patterns. A good example of this is Goldie's album 'Timeless'.

In recent times, the term breakbeat has become synonymous with the many genres of breaks music which have become popular within the global dance music scene, including big beat, nu skool breaks and progressive breaks. DJs from a variety of genres, including house and techno, work breaks tracks into their sets. This may occur because the tempo of breaks tracks (ranging from 110 to 150 beats per minute) means they can be readily mixed with these genres, whereas the comparatively fast speed of jungle and drum and bass (160-180 bpm) may have restricted the utility of these subgenres to DJs playing slower-tempo music.

Breakbeat (or funky breakbeat) may also refer to the music of bands such as Breakestra, who play funk and soul music with an emphasis on the elements that became popular in hip-hop and later breaks-based music. This sound is characterized by slower tempos (80-110 bpm) and organic, "human" rhythms. It is sometimes differentiated by the term "broken beat".

Chang, Jeff "How DJ Kool Herc Lost His Accent and Started Hip-Hop"

  1. ^ a b Modulations: A History of Electronic Music, Peter Shapiro, ed. New York: Caipirnha Productions Inc., 2000, p. 152
Advanced Search
Included Web Search Engines


Safe Search

close

Top Matching Results

Occasionally Search.com will highlight specialized results that are based on the context of your query. Examples of specialized results include specific links to news, images, or video.

Top Matching Results may highlight information from other Search.com pages, content from the CNET Network of sites, or third party content. The listings are based purely on relevance. Search.com does not receive payment for listings in this section but our partners that provide this data may get paid for listing these products.

Sponsored Links

This section contains paid listings which have been purchased by companies that want to have their sites appear for specific search terms and related content. These listings are administered, sorted and maintained by a third party and are not endorsed by Search.com.

Search Results

Search.com sends your search query to several search engines at one time and integrates the results into one list which has been sorted by relevance using Search.com's proprietary algorithm. You can customize the list of search engines included in your metasearch from the preferences.

The search engines that are used in your metasearch may allow companies to pay to have their Web sites included within the results. To view the Paid Inclusion policy for a specific search engine, please visit their Web site. Search.com does not accept payment or share revenue with any search engine partner for listings in this section.