Blackened death metal

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Blackened death metal
Stylistic origins: Black metal
Death metal
Cultural origins: Early-Mid 1990s Australia, Norway, Poland, Sweden
Typical instruments: VocalsElectric guitarBass guitarDrums
Mainstream popularity: Underground
Other topics
Death growlExtreme metal

Blackened death metal (also called "death/black metal" or "black/death metal", depending on which style is dominant[citation needed]) is a fusion genre of extreme metal utilising elements of death metal and black metal; bands often hail from Europe. Many of the bands start out as full on black metal outfits and end up adopting death metal influences and fusing the two together, or becoming modern death metal artists. In the 1980s, bands like Hellhammer and Celtic Frost straddled the often still-vague genres of thrash metal, death metal and black metal, and it wasn't until albums such as Behemoth's Satanica that the current form of "blackened death metal" truly took form. Some melodic black metal bands have a style similar to blackened death metal because it owes much to death metal, more precisely Scandinavian death metal and melodic death metal.

Often cited musical characteristics of blackened death metal are relatively high pitched, raspy death grunts in a more black metal style, cyclical technical death metal riffs or simplistic black metal riffs, and extremely fast and often repetitive drumwork with a more groovy approach than in black metal, which is a death metal influence.

Blackened death metal bands often have influences outside black and death metal. For example, Akercocke has also displayed avant-garde and progressive elements in their albums (if considered blackened death metal). The lyrical content in particular draws more from the black metal discourse, with less emphasis on themes of gore and dismemberment popular in death metal. Like with traditional black metal, some critics have noted that particular bands seemingly real devotion to ideologies of a "blackened" nature makes them unintentionally comical. Despite this, the genre has a loyal following within the metal underground, although it is highly doubtful that many of the genre's consumers take the music/ideology hybrid as seriously as its practitioners.

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