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Poster for the Royal National Theatre production of Bent

Bent is a 1979 play by Martin Sherman (which starred Ian McKellen in its original West-End production and Richard Gere in its original Broadway production) that was later adapted into a 1997 movie by director Sean Mathias. It revolves around the persecution of gay men in Third Reich Germany after the murder of Sturmabteilung leader Ernst Röhm. The play is based on The Men with the Pink Triangles, the testimony of camp survivor Hans Heger.

When the play was first performed, there was only a small trickle of historical research or even awareness about the Nazis' persecution of homosexuals or their destruction of the Institute For Sexual Science. In some regards, the play helped increase that trickle in historical research and education in the 1980s and 1990s.

The title of the play and subsequent film was chosen because the word "bent" is occasionally a slang term for homosexuality in some European countries.

Max (played by Clive Owen in the film), a promiscuous gay man in 1930s Berlin, is at odds with his wealthy family because of his homosexuality. One evening, much to the resentment of his boyfriend Rudy (Brian Webber), he brings home a handsome SA man. Unfortunately, Hitler has just decided to get rid of the Sturmabteilung, which was noted (in the sense of defamed) for the same-sex inclinations among its ranks. The Sturmabteilung man is discovered and killed by SS men in Max and Rudy's apartment and the two have to flee Berlin.

Max's uncle Freddie (Richard Gale in the West-End production, George Hall on Broadway and Ian McKellen in the film), who is also gay, but lives a more discreet life with rent boys to satisfy his desires, has organized new papers for Max, but Max refuses to leave his naïve boyfriend behind. As a result, Max and Rudy are found and arrested by the Gestapo and put on a train headed for Dachau concentration camp.

On the train, Rudy is beaten to death by the guards and, as he calls out to Max when he is taken away, Max is forced to have sex with a dead girl to "prove" he is not homosexual. Max has lied to the guards, telling them that he is a Jew. He believes his chances for survival in the camp will be better if he is not assigned the pink triangle.

In the camp, Max makes friends with Horst (Tom Bell in the West-end play, David Dukes in the Broadway production and Lothaire Bluteau in the Film), who shows him the dignity that lies in acknowledging what one is. After Horst is shot by camp guards, Max puts on Horst's jacket with the pink triangle and commits suicide by grabbing an electric fence.

Bent tries to show that homosexuality always runs through all classes of society and that not all homosexuals were victims during the war. While many gay people who were too poor (like Horst) or too naïve (like Rudy) ended up in concentration camps, others used their money (like Uncle Freddie) or their power (like the concentration camp commandant or some of the German officers) to stay out of harm's way.

Max occupies a middle spot in this spectrum between resistance and collaboration, as initially he tries to survive against all odds and perhaps later even escaping the camp, but during the play / movie he undergoes a transition because of Horst's influence and realizes one cannot always change one's luck through sheer willpower.

The play was the first time that popular culture had acknowledged the fact that the gay men were victims of the Holocaust^{[citation needed]}, and helped pave the way for more historical research and documentaries to be released about the fate of homosexuals under Nazi Germany.

A revival of the play was at Trafalgar Studios in London in December 2006, with Alan Cumming as Max.

• Bent at the Internet Broadway Database
• Bent at the Internet Movie Database
• BENT(1997) TRAILER at Youtube