Believe (Cher song)

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"Believe"
"Believe" cover
Single by Cher
from the album Believe
Released October 18, 1998 (UK)
October 19, 1998 (France)
November 3, 1998 (U.S)
April 20, 1999 (Canada)
May 25, 1999 (Japan)
Format CD single
CD maxi-single
12" single
7" single
Recorded 1998
Genre Techno, Dance-pop
Length 3:59
Label Warner Bros. Records / Wea
Writer Brian Higgins
Stuart McLennen
Paul Barry
Steven Torch
Matthew Gray
Timothy Powell
Producer Mark Taylor
Brian Rawling

"Believe" is a Grammy Award winning US #1, Multi-Platinum Dance Song which served as the world-wide lead single for American singer Cher's studio album Believe.

Contents

"Believe" was written by a number of writers which include Paul Barry, Matt Gray, Brian Higgins, Stuart McLellan, Timothy Powell and Steven Torch. The song, released and recorded in 1998, peaked at number one in 23 countries worldwide [1]. On the week ending March 13, 1999, it reached number one in the Billboard Hot 100, making Cher the oldest female artist (at the age of 52)[2] to perform this feat. It also was ranked as the number-one song of 1999 by Billboard, and became the biggest single in her entire career. In the UK, "Believe" spent seven weeks at number one [3] in the UK singles chart and became the best selling single by a female artist there. [4] It is also to be noted that the song's lyrics are one of the most misinterpreted of all time; the chorus uses both phrases "love after life" and "life after love."

In March 2007, the United World Chart ranked "Believe" as the nineteenth most successful song in music history. Referring to that same list, "Believe" is also the most successful song released by a solo female musician; [5], the biggest selling single ever for Warner Bros. Records and the biggest selling dance song ever having sold over 10 million copies worldwide. [6] It was also one of the song with most weeks in the top ten, it stayed in the top ten for twenty-eight weeks, being beaten by Nelly Furtado with "Say It Right" for twenty-nine weeks and James Blunt with "You're Beautiful" for thirty-seven weeks

The success of the song not only expanded through each country's singles chart, but also most country's dance charts. In the United States "Believe" spent 23 weeks on the U.S. Hot Dance Club Play chart and 22 weeks on the European Hot Dance Charts. "Believe" also set a record in 1999 after spending 21 weeks in the top spot of the Billboard Hot Dance Singles Sales chart, impressively it was still in the top ten even one year after its entry on the chart. [7]. Its immense popularity also managed for Believe to become the most played song in radio at the time after being played 1,500,000 times.

"Believe" was given the featured closing number spot for over 100 performances on Cher's 1999-2000 Do You Believe? Tour and then again the closing spot for over 300 performances on Cher's epic 2002-2005 Living Proof: The Farewell Tour.

An interesting note about the recording of the song revolved around the highly-recognizable Auto-tune effect utilized in the verses and chorus. Producer Mark Taylor added the effect to Cher's vocal simply as a lark, and in interviews at the time, he claimed to be testing out his recently purchased the 'Digitech Talker'. However, it later emerged that the effect was not created by a vocoder, but by utilizing extreme (and then unheard) settings on auto-tune. When Cher heard the results, she demanded that the effect remain in the song, and her original vocal be erased, much to the chagrin of her record company, who wanted it removed; upon their suggestion, Cher's response to the record label was "over my dead body!"

Further details of the production techniques used on the track, including a later update on the auto-tune/vocoder confusion, can be found here [8]

A cover version of this song was used in the Nintendo DS game Elite Beat Agents in the first bonus level.

Cher in the music video for "Believe".
Cher in the music video for "Believe".

The international music video for "Believe", directed by Nigel Dick, features Cher in a nightclub surrounded by many people to whom she is giving advice. The video includes a woman who is broken hearted and feels that she can't go on when she sees her ex-boyfriend with a new spouse.

Three official remix videos exist for this song. Two of the remix videos were created by Dan-O-Rama in 1999. Both follow different concepts from the original unmixed video. Instead of showing the significance of the lyrics the videos mostly show Cher with different colored backgrounds and people dancing. The two remixes used for these videos were the Almighty Definitive Mix and the Club 69 Phunk Club Mix. The third video entitled Wayne G. Remix was released by Warner Bros. and the concept is similar to the Club 69 Phunk Club Mix video.

Believe US CD Single

  1. Believe (Album Version) (4:00)
  2. Believe (Xenomania Mix) (4:20)

Believe US CD Maxi Single

  1. Believe (Album Version) (4:00)
  2. Believe (Phat 'N' Phunky Club Mix) (7:45)
  3. Believe (Club 69 Phunk Club Mix) (8:55)
  4. Believe (Almighty Definitive Mix) (7:36)
  5. Believe (Xenomania Mad Tim And The Mekon Club Mix) (9:15)
  6. Believe (Club 69 Future Anthem Mix) (9:20)
  7. Believe (Grips Heartbroken Mix) (9:12)
  8. Believe (Club 69 Future Anthem Dub) (7:13)
  9. Believe (Club 69 Phunk Dub) (7:04)
  10. Believe (Phat 'N' Phunky 'After Luv' Dub) (6:22)

Believe European CD Single Pt. 1

  1. Believe (Album Version) (4:00)
  2. Believe (Almighty Definitive Mix) (7:36)
  3. Believe (Xenomania Mix) (4:20)

Believe European CD Single Pt. 2

  1. Believe (Album Version) (4:00)
  2. Believe (Grips Heartbroken Mix) (9:12)
  3. Believe (Club 69 Future Mix) (9:20)

Additional Promo Only Mixes

  1. Radio Edit
  2. Grips Radio Edit
  3. Grips Heaven Dub
  4. Almighty Radio Edit
  5. Almighty Edit
  6. Club 69 Radio Edit
  7. Phat 'N' Phunky Radio Edit


Six songwriters came up with this pop masterpiece, one of the few songs to be able to break through the impenetrable wall of late 1990's fragmented radio to permeate the consciousness of the world at large. The days when much of the planet was singing along with Frank Sinatra's "That's Life", Bobby Hebb's immortal "Sunny", or McCartney's "Yesterday" seem so long ago, but Cher found a tune and a production that knocked the walls down from dance floors to the radio and beyond. "Believe" is one of those melodies that mark a time in a person's life when a relationship folds up for good and it is time to move on. It's a theme that the singer can more than relate to in both her personal and professional life. She was down for the count, and counted out, and has come back time and again like a boomerang. It's a second coming for the diva (after many such second comings), a triumphant vocal performance over a dazzling dance-beat that transcends Eurodisco and flavor-of-the-month Saturday night sounds. Some critical commentary, including the AMG album review, may dismiss the tune, but this writer feels that is a mistake. Finding a song that is many things to many people is a hard enough task, getting a vocal like Cher gives this one is the mark of a true icon: total "believ"ability to put this right up there with her performances on Kathy Kirby's "The Way Of Love" and Sonny Bono's "You'd Better Sit Down Kids". It's a perfect annunciation of the vibe, and one that only an artist with depth can provide to the listening audience. Two versions show up on Warner BrothersCD single #9536, the 3:59 album track with vocals that go into an electronic tunnel, and a 4:20 "Xenomania" mix, which is actually more orthodox and less mania. Of course in the discos they mixed and matched so you never knew what you were dancing to, different pieces of different mixes, but a melody so strong it always broke through the incessant beat. Co-producer Mark Taylor followed this single up with his own composition taking two words from "Believe's" hook, "Strong Enough". That follow-up single wasn't..."strong enough", but the re-mix of this by two of the co-writers of "Believe", Matt Gray and "Brian Higgins, is sonically exciting closing generation gaps and giving Cher one of her greatest hits.

Chart (1998) Peak
position
U.S. Billboard Hot 100 Airplay 1
U.S. Billboard Hot 100 1
U.S. Billboard Hot Dance Club Play 1
U.S. Billboard Hot Dance Singles Sales 1
U.S. Billboard Hot Adult Contemporary Tracks 3
U.S. Billboard Hot Adult Top 40 Tracks 5
Argentinian Singles Chart 9
Australian ARIA Singles Chart 1
Austrian Singles Chart 2
Belgian Singles Chart 11
Brazilian Airplay Chart 1
Croatian Singles Chart 1
Canadian Singles Chart 2
Danish Singles Chart 1
Dutch Mega Top 50 Singles Chart 1
Dutch Top 40 1
European Singles Chart 1
Chart (1998) Peak
position
Finnish Singles Chart 6
French Singles Chart 1
German Singles Chart 1
Irish Singles Chart 1
Israeli Singles Chart 1
Italian Singles Chart 1
Latvian Singles Chart 1
Mexican Singles Chart 1
New Zealand's Singles Chart 1
Norwegian Singles Chart 1
Polish Singles Chart 1
Spanish Singles Chart 1
Swedish Singles Chart 1
Swedish Airplay Chart 1
Swiss Singles Chart 1
UK Singles Chart 1
United World Chart 1

Country Providers Certification Sales
Australia ARIA 3x Platinum 210,000
Austria IFPI Platinum 30,000
France SNEP Diamond 750,000
Germany IFPI 5x Gold
2x Platinum
500,000
400,000
Netherlands IFPI Platinum 60,000
Country Providers Certification Sales
New Zealand RIANZ Gold 5,000
Norway IFPI 2x Platinum 20,000
Sweden IFPI 3x Platinum 30,000
Switzerland IFPI Platinum 30,000
United Kingdom BPI 3x Platinum 1,672,000
United States RIAA 2x Platinum 2,000,000

Preceded by
"Gym And Tonic" by Spacedust
UK Singles Chart number-one single
October 25, 1998 - December 6
Succeeded by
"To You I Belong" by B*Witched
Preceded by
"Irreplaceable" by Kerri Ann
Irish Singles Chart number-one single
November 14, 1998 - December 19, 1998
Succeeded by
"Goodbye" by Spice Girls
Preceded by
"Crush" by Jennifer Paige
United World Chart number one single
December 5, 1998 - March 13, 1999
Succeeded by
"..Baby One More Time" by Britney Spears
Preceded by
"Goodbye" by Spice Girls
New Zealand RIANZ Singles Chart
number-one single

January 10, 1999
Succeeded by
"Take Me There" by Blackstreet featuring Mýa, Ma$e and Blinky Blink
Preceded by
"Big Big World" by Emilia
Dutch Top 40 number-one single
January 16, 1999
Succeeded by
"Pretty Fly (For a White Guy)" by The Offspring
Preceded by
"Pretty Fly (For a White Guy)" by The Offspring
Australia ARIA Singles Chart
number-one single

January 24, 1999 - February 21, 1999
Succeeded by
"..Baby One More Time" by Britney Spears
Preceded by
"Angel of Mine" by Monica
Billboard Hot 100 number-one single
March 13, 1999 - April 3, 1999
Succeeded by
"No Scrubs" by TLC
Preceded by
"The First Night" by Monica
Billboard Hot Dance/Club Play
number-one single

December 12, 1998 - January 9, 1999
Succeeded by
"Up & Down" by Vengaboys
Preceded by
"Too Close" by Next
Billboard Hot 100 number-one single of the year
1999
Succeeded by
"Breathe" by Faith Hill
Preceded by
"My Heart Will Go On" by Celine Dion
United World Chart number one single of the year
1999
Succeeded by
"Music by Madonna

  1. ^ "Believe" #1 in 23 countries
  2. ^ [1]
  3. ^ Everyhit.com - List of UK Number 1's 1990's
  4. ^ Top 100 singles of all time in the UK
  5. ^ 19th most successful song in history
  6. ^ [2]
  7. ^ "Believe" Dance Singles Sales record
  8. ^ Production
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